I have but one distinct memory of the Fantasyland Theater: burning my mouth so bad before "Beauty and the Beast" that I had to leave the park. I was young, and I'd like to say I've learned since then, but I just get so eager when presented with hot chocolate.
Since that fateful day in the mid-1990s, a lot has happened to the Fantasyland theater, most of it having little to do with being a theater. For as long as I can remember, it was some princess thing. I never knew exactly, because I never visited. I could say the same thing for Carnation Plaza Gardens in regards to it being an area I used to never visit. Ironically, it's now some princess thing.
Live entertainment that isn't for a demographic that's acutely specific, has returned to the theater that looks like Madonna's cone bra, and it's demographic is much more broad: anyone that likes to be entertained. Now, if you are only entertained by a strong story, go to the indy theater, hippie! Things that have a plot either get cancelled or bomb!
That's why, with its newest show, "Mickey and the Magical Map," Disneyland went light on story and heavy on the classic songs they know we all love so much, we don't care how one transitions from the other. (If you're counting, it took 3 paragraphs for me to get to the point. Didn't it seem like one though?)
Despite having its predecessors scar me both physically and emotionally, "Mickey and the Magical Map" had a lot to live up to. I'd started my morning off by enjoying a fine breakfast at Club 33. For something to make itself stand out in a day that starts out like that is quite a feat. Furthermore, I had risen at 5 AM to get to Anaheim by 7, so by the 12:40 show, I was...fatigued. Coincidentally, a favorite place of mine to nap is in a theater. I've heard the middle parts of Finding Nemo - The Musical at the Animal Kingdom and Disney's Aladdin – A Musical Spectacular at DCA are great. I wouldn't know.
I'm happy to report that I had my foot tapping, my fingers drumming, and my eyes open for the entire show. There was an electric feel to the whole thing that kept even me engaged for all 22 minutes of its run time. The girl screaming about Stitch in front of me also helped keep me away, but in a different way.
"Mickey and the Magical Map's" attempt at a story has Mickey reprising his role as Yensid's apprentice, way back from when the duo last appeared in 1940's Fantasia. Yensid, a poorly animated 3D (bring back the 2D! Oh, wait...) character that appears soley within a gigantic, three-tiered LCD screen, has a magical map with a missing, unpainted spot. Mickey tries to paint that spot, and by doing so, elicits King Louis, Ariel, Rapunzel, Mulan, Pocahontas, Tiana, and various other character to come out and sing their famous songs.
Obviously.
There's some great choreographed dancing, awesome, non-recorded singing, a cool bubble thing and a few awkward sequences where Mickey gets sucked into the map and looks like he's part of a 10-year-olds sub-par flash animation project.
Remember, despite all the negative stuff I just wrote (partly because it's more fun to dish out the disses then the praise), I walked out of the show excited and fulfilled. It has its weaknesses, but when, as a whole, the show entertains its viewers, I don't think its especially important just how it does that. "Mickey and the Magical Map" is energetic enough that you love every minute of the shoe while you're watching it. When it's over, you might be scratching your head a little, but don't over analyze it. I just did that for you.
Showing posts with label Disneyland. Show all posts
Showing posts with label Disneyland. Show all posts
Monday, June 3, 2013
Sunday, June 2, 2013
The Most Expensive Breakfast I'll Ever Have
Every Disney fan knows that a huge part of being a Disgeek is competing to be the best in class. From the most extensive pin collection, to collectible art, shirts, ears, Vinylmation, and the thousands of other things the people at merchandising concoct to sell to us, to going to all the international theme parks, to the ultimate: dining at Club 33.
I'm ultra-competitive. I'm the best looking, smartest and most funny Disney guy out there (for the most prolific blog competition, I gave up on that a long time. I know that the last time I posted, it was during a month that begins with "M", and I'm not talking about this past May. Sorry, four loyal readers [See what I'm saying about the funny thing?!]). Asky anybody. That stranger eating food at the table next to him. Ask him, I don't care if he's mid bite. Ask. He'll tell you.
But I don't collect anything (accept admirers. [He strikes again!]), I'm not the Preston from "Blank Check" (and even if I was, those filmakers had a warped idea of what $1 million could do. And that kid was an idiot for not slapping a couple of more zeros on that bad boy), so I have only been to all of the domestic parks. That means I'm left with only one option to be Captain Disney: go to Club 33, the ultimate destination for Disney fans in looking for some serious bragging rights that don't require crossing an ocean.
The Club really is just your average fine dining experience (that's not an oxymoron, because I said it isn't). The food was average to above average, the service was the same (and it was a buffet, so most of it was self-serve) and the china and silverware were nice. The only thing that made it extra special was that I was in there and you weren't. Which is something I had a great time reminding those below me from the amazing balconies at Club 33.
We spoke at length with the manager, who's spiel seemed a little rehearsed, and even more with a cast member who seemed to have the authentic, enthusiastic answer to every question we threw at him. It's guys like him, whose name I didn't write down because I was too busy thinking of how to be funny, that keep the Disney customer service reputation alive.
I did not buy any alcohol, because it was $14 I'd rather spend on a souvenir that I wouldn't have to run to the toilet to dispose of an hour after consuming, which I did (buy the souvenir, that is). Maybe next time. Disneyland is still a dry park to this guy.
It's an amazing experience, but what makes it special is that it's a once in a lifetime kind of thing, (or ten years if you're as awesome as me.) It's nothing out of the ordinary as a dining experience. But you feel something extra special because you know that the walls surrounding you are soaked with history, and if they could talk, oh boy, the money that would cost Disney in mechanical costs would be amazing (I'm sure they'd tell some cool stories, too.)
It's kind of like seeing the Grand Canyon. You go, you do it, it's spectacular, and when it's over, it's over, which is usually in about 90 minutes. Just, this trip gets you mad bragging rights. Everyone can go to the Grand Canyon.
If you've got some time, check out these panoramas I took while in Club 33. There are so many awesome details, so zoom in, swipe around and check out every pixel.
I'm ultra-competitive. I'm the best looking, smartest and most funny Disney guy out there (for the most prolific blog competition, I gave up on that a long time. I know that the last time I posted, it was during a month that begins with "M", and I'm not talking about this past May. Sorry, four loyal readers [See what I'm saying about the funny thing?!]). Asky anybody. That stranger eating food at the table next to him. Ask him, I don't care if he's mid bite. Ask. He'll tell you.
But I don't collect anything (accept admirers. [He strikes again!]), I'm not the Preston from "Blank Check" (and even if I was, those filmakers had a warped idea of what $1 million could do. And that kid was an idiot for not slapping a couple of more zeros on that bad boy), so I have only been to all of the domestic parks. That means I'm left with only one option to be Captain Disney: go to Club 33, the ultimate destination for Disney fans in looking for some serious bragging rights that don't require crossing an ocean.
I've been once before when I was the grand old age of 12. If I blogged about it back then, the post would have looked like this: "It was cool," and it would have taken me five minutes to type. Well, ten years later, through the awesome Meetup app and the Disneyland Fan Club group, I was afforded a second chance to both dine, and write a more extensive review of the experience: It was super cool.
I'm just pulling the chain on your high-tank toilet! You don't have one of those? You must not live at Club 33, because they totally do. Along with some amazing views, a rad elevator that wasn't working, half-built microphones in chandeliers, taxidermied animals, some awesome cast members, and as a whole, the opportunity to make some awesome Vines.
The Club really is just your average fine dining experience (that's not an oxymoron, because I said it isn't). The food was average to above average, the service was the same (and it was a buffet, so most of it was self-serve) and the china and silverware were nice. The only thing that made it extra special was that I was in there and you weren't. Which is something I had a great time reminding those below me from the amazing balconies at Club 33.
We spoke at length with the manager, who's spiel seemed a little rehearsed, and even more with a cast member who seemed to have the authentic, enthusiastic answer to every question we threw at him. It's guys like him, whose name I didn't write down because I was too busy thinking of how to be funny, that keep the Disney customer service reputation alive.
I did not buy any alcohol, because it was $14 I'd rather spend on a souvenir that I wouldn't have to run to the toilet to dispose of an hour after consuming, which I did (buy the souvenir, that is). Maybe next time. Disneyland is still a dry park to this guy.
It's an amazing experience, but what makes it special is that it's a once in a lifetime kind of thing, (or ten years if you're as awesome as me.) It's nothing out of the ordinary as a dining experience. But you feel something extra special because you know that the walls surrounding you are soaked with history, and if they could talk, oh boy, the money that would cost Disney in mechanical costs would be amazing (I'm sure they'd tell some cool stories, too.)
It's kind of like seeing the Grand Canyon. You go, you do it, it's spectacular, and when it's over, it's over, which is usually in about 90 minutes. Just, this trip gets you mad bragging rights. Everyone can go to the Grand Canyon.
If you've got some time, check out these panoramas I took while in Club 33. There are so many awesome details, so zoom in, swipe around and check out every pixel.
Sunday, March 10, 2013
The Faire Expansion
Carnation Plaza Gardens is no more. Blasphemy. Fantasyland is in front of the castle. Sacrilege. What was once an iconic red and white tent is now a Pepto Bismal colored atrocity.
Yeah, yeah, yeah.
That's what everyone has been saying about Fantasy Faire, the new area at Disneyland where you can have a meet and greet with the princesses or catch a retelling of one of their stories, told with heavy "theatrical" liberties (don't worry, that's a good thing.)
Well, those hipsters who swing (swung) dance can shut it. The new Fantasy Faire is a great addition to Disneyland, and turned an area I never used into something I just might visit every time I'm in the park. I'll go so far as to say I'm in the majority on this one, too.
Fantasy Faire doesn't officially open until March 12, but since I'm awesome (and dropped a ton o' cash on a premium annual pass), I was able to get a sneak preview of the new area that sits between Sleeping Beauty's castle and the entrance of Frontierland.
After getting in line to get a wristband, then getting in line to get into the new area and trying to get off a Vine of Figero (didn't happen), I sat down next to Dusty and Norman from MiceChat (a happy coincidence) and watched the retelling of Rapunzel, a 20-30 minute show put on by Rapunzel, Flyn Ryder, a pianist and two jesters, with the latter two wearing many different hats (and wigs) throughout the performance, playing parts ranging from Mother Gothel to Maximus the horse. It was all in a funny, self-aware way that kept the heart of the story while providing laughs for both young and old. It was a very entertaining show and I cannot wait to see the Beauty and the Beast show they also run in the theater. Way better than swing dancing!
I don't mind much the Pepto Bismal color of the Royal Theater, but I forsee a change coming. If we can whine enough to get Ariel's hair-do changed, we can complain till they change the color scheme to more naturally fit in with the rest of the village.
As for the rest of the village, the theming was spot on. It fit in like it was a part of the 1983 Fantasyland renovation. Disney seems to be all about theming and "guest experience"lately, (New Fantasyland and its one presently operating ride), and with the Fantasy Faire expansion, they don't disappoint (unless you're some crazy person that thinks Walt would have stuck with "tradition" and kept the CGP. I have a book full of quotes that proves you wrong, but hey, logic and proof, they suck sometimes [if you're disappointed by the theater, that's ok with me]).
Clopin's music box, a small box that plays music and rotates through scenes with a hand crank sitting by itself by the entrance to the princesses, is a nice little detail, featuring some familiar characters on the background of its many different, moving layers, and Figaro lazily swiping at the chirping caged bird next to him on a windowsill and fun little details and add to the thoroughness of the new area.
I finished off the experience by grabbing one the the three new twists on food they have, that are literally twists made from bagel dough. You can get strawberry, chocolate or garlic cheddar, and I got the garlic cheddar. It was delicious, and made for a great snack. I also got the apple freeze drink, which is the same thing they serve at the cones at Cars Land. It was still good. Count on long lines for this little cart in the future.
Having gotten my breath stinking to high heaven, I decided it was prime time to visit the princesses. My first stop was Ariel, who dug my shoes and asked if I swam from my hometown in NorCal, then to Cinderella, who also dug my shoes, and pointed out hers were of a similar ilk, and I told her they could have used some lime-colored laces, she said her fairy godmother would be assigned the task. Then onto Aurora, who dug my shirt, because it's blue and had her castle on it. Princess training 101: COMMENT ON THE OUTFIT. Got it?
Overall, I spent nearly two hours in the small area and had a great time. It's a perfect little area that will provide both live entertainment and a nice area for the princesses to call their own. I'll probably never visit them there again, but I know that there are millions of little girls out there who will be completely psyched and it will provide a more Disney-esque experience for them. That's a good thing, as is the whole area.
Yeah, yeah, yeah.
That's what everyone has been saying about Fantasy Faire, the new area at Disneyland where you can have a meet and greet with the princesses or catch a retelling of one of their stories, told with heavy "theatrical" liberties (don't worry, that's a good thing.)
Well, those hipsters who swing (swung) dance can shut it. The new Fantasy Faire is a great addition to Disneyland, and turned an area I never used into something I just might visit every time I'm in the park. I'll go so far as to say I'm in the majority on this one, too.
Fantasy Faire doesn't officially open until March 12, but since I'm awesome (and dropped a ton o' cash on a premium annual pass), I was able to get a sneak preview of the new area that sits between Sleeping Beauty's castle and the entrance of Frontierland.
After getting in line to get a wristband, then getting in line to get into the new area and trying to get off a Vine of Figero (didn't happen), I sat down next to Dusty and Norman from MiceChat (a happy coincidence) and watched the retelling of Rapunzel, a 20-30 minute show put on by Rapunzel, Flyn Ryder, a pianist and two jesters, with the latter two wearing many different hats (and wigs) throughout the performance, playing parts ranging from Mother Gothel to Maximus the horse. It was all in a funny, self-aware way that kept the heart of the story while providing laughs for both young and old. It was a very entertaining show and I cannot wait to see the Beauty and the Beast show they also run in the theater. Way better than swing dancing!
I don't mind much the Pepto Bismal color of the Royal Theater, but I forsee a change coming. If we can whine enough to get Ariel's hair-do changed, we can complain till they change the color scheme to more naturally fit in with the rest of the village.
As for the rest of the village, the theming was spot on. It fit in like it was a part of the 1983 Fantasyland renovation. Disney seems to be all about theming and "guest experience"lately, (New Fantasyland and its one presently operating ride), and with the Fantasy Faire expansion, they don't disappoint (unless you're some crazy person that thinks Walt would have stuck with "tradition" and kept the CGP. I have a book full of quotes that proves you wrong, but hey, logic and proof, they suck sometimes [if you're disappointed by the theater, that's ok with me]).
Clopin's music box, a small box that plays music and rotates through scenes with a hand crank sitting by itself by the entrance to the princesses, is a nice little detail, featuring some familiar characters on the background of its many different, moving layers, and Figaro lazily swiping at the chirping caged bird next to him on a windowsill and fun little details and add to the thoroughness of the new area.
I finished off the experience by grabbing one the the three new twists on food they have, that are literally twists made from bagel dough. You can get strawberry, chocolate or garlic cheddar, and I got the garlic cheddar. It was delicious, and made for a great snack. I also got the apple freeze drink, which is the same thing they serve at the cones at Cars Land. It was still good. Count on long lines for this little cart in the future.
Having gotten my breath stinking to high heaven, I decided it was prime time to visit the princesses. My first stop was Ariel, who dug my shoes and asked if I swam from my hometown in NorCal, then to Cinderella, who also dug my shoes, and pointed out hers were of a similar ilk, and I told her they could have used some lime-colored laces, she said her fairy godmother would be assigned the task. Then onto Aurora, who dug my shirt, because it's blue and had her castle on it. Princess training 101: COMMENT ON THE OUTFIT. Got it?
Overall, I spent nearly two hours in the small area and had a great time. It's a perfect little area that will provide both live entertainment and a nice area for the princesses to call their own. I'll probably never visit them there again, but I know that there are millions of little girls out there who will be completely psyched and it will provide a more Disney-esque experience for them. That's a good thing, as is the whole area.
Monday, March 4, 2013
Extra Ordinary Definition of "Limited"
This past week, Sarah Tully, wrote a blurb about how Captain EO, the attraction more people stand above while waiting in line for Space Mountain than actually go on, will be around for the "foreseeable future."
The attraction, which originally ran from 1987 to 1997 was reinstated on Feb. 23 after the untimely death of the star of the short film, Michael Jackson, in 2009.
Now it's 2013, no one is really thinking about MJ's death, and yet Captain EO, produced by now-Disney-"owned" George Lucas, still plays daily at Disneyland.
I've mentioned before that the theater that is now showing Captain EO, and before that (and after that) showed "Honey, I Shrunk The Audience" has been an underutilized section of the park for years. To be specific, probably since 1992, five years into the first run of Captain EO.
As someone who goes to the parks on a weekly basis, it's always nice knowing that there are a few attractions you will never have to wait long in line for. It's even better when those attractions happen to be ones you actually want to ride, like The Haunted Mansion, Pirates of the Caribbean, The Storybook Canal boats or every dark ride that isn't Peter Pan's flight. Or, at the Magic Kingdom, my personal favorite no-wait standby, The TTA People Mover (Bring it back, Disneyland!).
Captain EO is not one of these attractions. For starters, the whole concept of a 3D/4D film-as-an-attraction idea is cheap and a bit of a cop out. Their capacity usually stinks, but that detail doesn't even matter, because they rarely fill up to capacity, proving that I'm hardly alone in giving them a thumbs down.
Secondly, when you look up dated in the dictionary, the entry after Taylor Swift (because who has she not dated?) just happens to be Captain EO. The film had to be quite spectacular when it debuted, but then again, a 10 MB thumb drive would have a technological marvel in 1987. Nostalgia for anything from the 80's will never be a thing, and Captain EO proves it. It's clunky, ugly, boring and a little too grimy to appeal to a 2013 (or 2011 or 2010) audience. Just like the decade it's from.
As a whole, Disneyland's Tomorrowland leaves something to be desired in so many ways, and Captain EO, along with Innoventions, Autopia, an empty people mover track, the boring Astro Orbiter, the remnants of an older, more exciting Astro Orbiter, and the gigantic waste of space/capacity nightmare that is the Finding Nemo Submarine Voyage. The land would, hands down, be the weakest land at The Happiest Place on Earth if it didn't have what are arguably the park's two best attractions in Space Mountain and Star Tours: The Adventure Continues.
So what should be done withe the space that lays underneath the Space Mountain queue? Maybe take the queue of Space Mountain down a floor and make it interactive. Maybe do something with Wreck It Ralph and use a bit of the space that's used for the also under-used Starcade (who wants to play a video game when you're in between Space Mountain and Star Tours?). I don't know though, I'm not an Imagineer, and furthermore, I'm not the guy that says no to every good idea Imagineers have.
It's been nice to see Iger and co. put in a billion across the promenade, but now Disneyland could use a little love and investment, and Tomorrowland would be the best place to start, today.
 |
| The "tribute" |
Now it's 2013, no one is really thinking about MJ's death, and yet Captain EO, produced by now-Disney-"owned" George Lucas, still plays daily at Disneyland.
I've mentioned before that the theater that is now showing Captain EO, and before that (and after that) showed "Honey, I Shrunk The Audience" has been an underutilized section of the park for years. To be specific, probably since 1992, five years into the first run of Captain EO.
As someone who goes to the parks on a weekly basis, it's always nice knowing that there are a few attractions you will never have to wait long in line for. It's even better when those attractions happen to be ones you actually want to ride, like The Haunted Mansion, Pirates of the Caribbean, The Storybook Canal boats or every dark ride that isn't Peter Pan's flight. Or, at the Magic Kingdom, my personal favorite no-wait standby, The TTA People Mover (Bring it back, Disneyland!).
Captain EO is not one of these attractions. For starters, the whole concept of a 3D/4D film-as-an-attraction idea is cheap and a bit of a cop out. Their capacity usually stinks, but that detail doesn't even matter, because they rarely fill up to capacity, proving that I'm hardly alone in giving them a thumbs down.
Secondly, when you look up dated in the dictionary, the entry after Taylor Swift (because who has she not dated?) just happens to be Captain EO. The film had to be quite spectacular when it debuted, but then again, a 10 MB thumb drive would have a technological marvel in 1987. Nostalgia for anything from the 80's will never be a thing, and Captain EO proves it. It's clunky, ugly, boring and a little too grimy to appeal to a 2013 (or 2011 or 2010) audience. Just like the decade it's from.
As a whole, Disneyland's Tomorrowland leaves something to be desired in so many ways, and Captain EO, along with Innoventions, Autopia, an empty people mover track, the boring Astro Orbiter, the remnants of an older, more exciting Astro Orbiter, and the gigantic waste of space/capacity nightmare that is the Finding Nemo Submarine Voyage. The land would, hands down, be the weakest land at The Happiest Place on Earth if it didn't have what are arguably the park's two best attractions in Space Mountain and Star Tours: The Adventure Continues.
So what should be done withe the space that lays underneath the Space Mountain queue? Maybe take the queue of Space Mountain down a floor and make it interactive. Maybe do something with Wreck It Ralph and use a bit of the space that's used for the also under-used Starcade (who wants to play a video game when you're in between Space Mountain and Star Tours?). I don't know though, I'm not an Imagineer, and furthermore, I'm not the guy that says no to every good idea Imagineers have.
It's been nice to see Iger and co. put in a billion across the promenade, but now Disneyland could use a little love and investment, and Tomorrowland would be the best place to start, today.
Sunday, December 16, 2012
The Best Of Many Worlds...And Lands.
Surprise? I was on Facebook today.
Every once in a while, I do actually look at those ads on the sidebar. I like to ensure that the website I spend a better part of my day on (or, probably, life, it'll turn out) stays free. Sometimes, Facebook stalks my information correctly and an ad pops up that actually interests me. Usually, that ad is for something Disney related.
This time, a new app showed up called Disney Parks Shoppes. Normally, any word with a superfluous "e" at the end is an immediate turn-off, but when that word is preceded by "Disney Parks," I make an exception.
I was first struck by the colors. I just finished taking a graphic design class, so now I know about that stuff in a more technical way, or whatever. What I really learned is that when something looks good, it looks good. Look, I just saved you $3,000. Back on point now.
The app, or website, depending on how you access it, is very simple, with a aesthetically pleasing visual navigation, using minimalist inspired icons.
Minimalism seems to the focus with the website, which is a good thing. Less is more when it comes to websites these days, and the people over at Disney know this. The new Disney.com is stripped down and thus has a much better design than the website it replaced.
On the Disney Store website, they've been selling what used to be park-exclusive merchandise, which has been kind of a bummer because it takes away the novelty of only being able to buy something because you were there. Yet it is also cool, and for the opposite reason: if you can't make it to the parks, you can make the parks come to you in a small way.
That's what this new website emphasizes: park merchandise, hence the name.
You're welcome.
The website sells a few things from both the World and the Land, along with seasonal merchandise, shirts that it labels "Facebook First,"for things that have a social media theme to it, and the Dooney and Burke Collection. It also has a weekly trivia question so you hang around the site longer than you should, and a section for merch that you'd buy before hitting up the parks, like Mickey Ears or some luggage.
While shopping, you can compile a wish list and earn badges for different types of accomplishments, similar to things on Foursquare or Get Glue. I got one that was publicly shared for letting the app access my Facebook information and signing up.
The site is essentially just another online storefront for Disney, but the clever people over there embedded some great social elements into it, so it feels more like a hybrid experience, instead of just giving Disney your money. Because why buy something if you can't show it off on your body and on Facebook?
Every once in a while, I do actually look at those ads on the sidebar. I like to ensure that the website I spend a better part of my day on (or, probably, life, it'll turn out) stays free. Sometimes, Facebook stalks my information correctly and an ad pops up that actually interests me. Usually, that ad is for something Disney related.
I was first struck by the colors. I just finished taking a graphic design class, so now I know about that stuff in a more technical way, or whatever. What I really learned is that when something looks good, it looks good. Look, I just saved you $3,000. Back on point now.
The app, or website, depending on how you access it, is very simple, with a aesthetically pleasing visual navigation, using minimalist inspired icons.
Minimalism seems to the focus with the website, which is a good thing. Less is more when it comes to websites these days, and the people over at Disney know this. The new Disney.com is stripped down and thus has a much better design than the website it replaced.
On the Disney Store website, they've been selling what used to be park-exclusive merchandise, which has been kind of a bummer because it takes away the novelty of only being able to buy something because you were there. Yet it is also cool, and for the opposite reason: if you can't make it to the parks, you can make the parks come to you in a small way.
That's what this new website emphasizes: park merchandise, hence the name.
You're welcome.
The website sells a few things from both the World and the Land, along with seasonal merchandise, shirts that it labels "Facebook First,"for things that have a social media theme to it, and the Dooney and Burke Collection. It also has a weekly trivia question so you hang around the site longer than you should, and a section for merch that you'd buy before hitting up the parks, like Mickey Ears or some luggage.
While shopping, you can compile a wish list and earn badges for different types of accomplishments, similar to things on Foursquare or Get Glue. I got one that was publicly shared for letting the app access my Facebook information and signing up.
The site is essentially just another online storefront for Disney, but the clever people over there embedded some great social elements into it, so it feels more like a hybrid experience, instead of just giving Disney your money. Because why buy something if you can't show it off on your body and on Facebook?
Thursday, October 25, 2012
First Impressions of Land
It's been two years, but I'm happy to say, I've finally been back to the one, the only, the original: Disneyland.
It's been more than a year since I've been to any Disney park, which is far too long, but two years without visiting Walt's original, that's just painful. Especially since so much has happened to the resort in the past two years. Finally, my family and I got around to getting a trip to Anaheim.
Obviously, the most exciting part of the re-theming of Disney California Adventure is Cars Land, and you've probably read enough to fill a novel about it. There's not much new insight that I can provide. It's everything everyone has said about it. Stunning, breathtaking, immersive, capturing the Disney magic that the park so terribly lacked since its opening in 2002.
It's also packed beyond belief. The best day to go, I would have to say, would be the day they had the press preview. I'm envious of those who got to go and just take in the new land, soak it up without the 30 minute wait for a Fast Pass, or the elbowing and shoving it takes to go up and down the strip. Overall, I didn't wait more than 30 minutes in any line while there, but that took a lot of strategy.
Luigi's flying tires didn't quite soar for me, but I enjoyed the attraction for what it was. It makes for a nice C-ticket attraction. The queue was far more exciting, with its classic Disney details displayed throughout Luigi's tire shop.
Mater's Junkyard Jamboree, despite being themed around my least favorite Disney character of all time (and by the way, he's nowhere to be seen on the attraction, only heard. What the heck?), were a pleasant surprise for an attraction that looked to be pretty basic. The whipping and constant change of direction made for a thrill.
The food was great. And by food, I mean everything served in a pretzel cone. I had the Chili Cone Queso, the Chicken Verde and the breakfast bacon, cheese and egg cone. The best I'd have to say was the Verde. Quite a surprise for me, as I was betting on the Chili, and had to sample my girlfriend's Chicken Verde. The Apple freeze was delicious, though too sweet for some members of my family, and the pomegranate lemonade was sweet and had just the right amount of tart.
The merchandise was appealing, using the art deco colors and style in a callback to the original screen printed posters of Disneyland. I didn't purchase any though, as I'm not a fan of the vinyl printing they used. It's cheap, uncomfortable and gets killed in the washing machine.
As in the film, Radiator Springs really shows its feathers at night. When the neon's flipped on, it's like the already beautiful land masterfully applies makeup and turns into a real stunner. I had a great time challenging myself with my newly acquired photo-knowledge by taking pictures of the fantastic neon signs and the deftly lit rock formations, and found myself overloaded with things to look at.
It's surely a place so fantastic, one visit will not be enough. I'm starting to understand why Lightening McQueen decided to stay.
It's been more than a year since I've been to any Disney park, which is far too long, but two years without visiting Walt's original, that's just painful. Especially since so much has happened to the resort in the past two years. Finally, my family and I got around to getting a trip to Anaheim.
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| Flo's V8 Cafe with its stunning neon. (Preston Carter Melbourne-Weaver) |
It's also packed beyond belief. The best day to go, I would have to say, would be the day they had the press preview. I'm envious of those who got to go and just take in the new land, soak it up without the 30 minute wait for a Fast Pass, or the elbowing and shoving it takes to go up and down the strip. Overall, I didn't wait more than 30 minutes in any line while there, but that took a lot of strategy.
Luigi's flying tires didn't quite soar for me, but I enjoyed the attraction for what it was. It makes for a nice C-ticket attraction. The queue was far more exciting, with its classic Disney details displayed throughout Luigi's tire shop.
Mater's Junkyard Jamboree, despite being themed around my least favorite Disney character of all time (and by the way, he's nowhere to be seen on the attraction, only heard. What the heck?), were a pleasant surprise for an attraction that looked to be pretty basic. The whipping and constant change of direction made for a thrill.
The food was great. And by food, I mean everything served in a pretzel cone. I had the Chili Cone Queso, the Chicken Verde and the breakfast bacon, cheese and egg cone. The best I'd have to say was the Verde. Quite a surprise for me, as I was betting on the Chili, and had to sample my girlfriend's Chicken Verde. The Apple freeze was delicious, though too sweet for some members of my family, and the pomegranate lemonade was sweet and had just the right amount of tart.
The merchandise was appealing, using the art deco colors and style in a callback to the original screen printed posters of Disneyland. I didn't purchase any though, as I'm not a fan of the vinyl printing they used. It's cheap, uncomfortable and gets killed in the washing machine.
As in the film, Radiator Springs really shows its feathers at night. When the neon's flipped on, it's like the already beautiful land masterfully applies makeup and turns into a real stunner. I had a great time challenging myself with my newly acquired photo-knowledge by taking pictures of the fantastic neon signs and the deftly lit rock formations, and found myself overloaded with things to look at.
It's surely a place so fantastic, one visit will not be enough. I'm starting to understand why Lightening McQueen decided to stay.
Wednesday, September 19, 2012
The Movie Based on the Attraction or the Attraction Based on the Movie?
There are some questions that may never be answered, like whether the chicken or the egg came first. Other questions may have similar themes, yet definite answers.
Such is the case with the many iterations of "Pirates of the Caribbean: The Ride Disney Thinks People Won't Ride If They Don't Constantly Change It."
No, wait... It's just called "Pirate of the Caribbean." My mistake.
In a more literal world, the ride would have that snarky title. In the actual world, it just lives up to it.
Today, on the Disney Parks Blog, it was announced that the Florida version of the attraction will be undergoing minor tweaks, adding some things from the most recent film, “Pirates of the Caribbean: On Stranger Tides," because that was such a critical darling.
I understand what Disney is shooting for with these changes. Sometimes, I appreciate them. I feel they inserted Captain Jack Sparrow into the ride subtly enough, at least in terms of the scenes.
What I wasn't psyched about was how they altered the story line of the whole ride to adapt to his presence.
The projection of Davy Jones and later Blackbeard, plus the ability to change on the fly are features I'm in support of. Projecting onto fog looks wicked cool.
What I'm not in favor of is the philosophy behind all the changes. (Beware: the curmudgeon side of this 21 year old is about to emerge: proceed with caution.) The ride has been around since 1967, and until the first movie came out in 2003, the only changes they made were because of people whining about how men chasing women is politically incorrect. (By that logic, wouldn't the reverse be true, too? Oh, logic!) Then came the the Cap'n Jack overhaul in 2006, which closed the ride down for months. Suddenly, billboards and advertisements started popping up, advertising the ride with the picture of Johnny Depp as Captain Jack, as if the ride what based on the movie.
Kudos to marketing department for making a classic attraction look new again, but shame on them for skipping history. Those young, skateboarding kids need to know about the classic attraction's history: that it was Walt's last creation and that it came first, that Jack wasn't always popping out of barrels. I'm not saying they should like the movie because they enjoy the ride, but knowing the origin of things is always useful.
So, if you can't tell, this guy right here writing this post: not excited for the "enhancements." Luckily, they're only going to be implemented at the lackluster, abridged version of the ride at Walt Disney World. Always have to look on the bright side of things.
Such is the case with the many iterations of "Pirates of the Caribbean: The Ride Disney Thinks People Won't Ride If They Don't Constantly Change It."
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| Wait...Where's Jack Sparrow? |
In a more literal world, the ride would have that snarky title. In the actual world, it just lives up to it.
Today, on the Disney Parks Blog, it was announced that the Florida version of the attraction will be undergoing minor tweaks, adding some things from the most recent film, “Pirates of the Caribbean: On Stranger Tides," because that was such a critical darling.
I understand what Disney is shooting for with these changes. Sometimes, I appreciate them. I feel they inserted Captain Jack Sparrow into the ride subtly enough, at least in terms of the scenes.
What I wasn't psyched about was how they altered the story line of the whole ride to adapt to his presence.
The projection of Davy Jones and later Blackbeard, plus the ability to change on the fly are features I'm in support of. Projecting onto fog looks wicked cool.
What I'm not in favor of is the philosophy behind all the changes. (Beware: the curmudgeon side of this 21 year old is about to emerge: proceed with caution.) The ride has been around since 1967, and until the first movie came out in 2003, the only changes they made were because of people whining about how men chasing women is politically incorrect. (By that logic, wouldn't the reverse be true, too? Oh, logic!) Then came the the Cap'n Jack overhaul in 2006, which closed the ride down for months. Suddenly, billboards and advertisements started popping up, advertising the ride with the picture of Johnny Depp as Captain Jack, as if the ride what based on the movie.
Kudos to marketing department for making a classic attraction look new again, but shame on them for skipping history. Those young, skateboarding kids need to know about the classic attraction's history: that it was Walt's last creation and that it came first, that Jack wasn't always popping out of barrels. I'm not saying they should like the movie because they enjoy the ride, but knowing the origin of things is always useful.
So, if you can't tell, this guy right here writing this post: not excited for the "enhancements." Luckily, they're only going to be implemented at the lackluster, abridged version of the ride at Walt Disney World. Always have to look on the bright side of things.
Tuesday, August 14, 2012
Imagineering History: Touring My Mecca Pt. 2
After seeing how they converted the annals of Disney history to digital, we were lucky enough to view some of the most glorious artifacts that exist in the archives.
We were brought into a room that had a number of large, metal cabinets. Our host had set up three hand-drawn, framed plans for the original plans for a Disney park adjacent to the studios in Burbank. These original drawing were pretty fantastic, but not nearly as amazing as what was to come.
Our host had put some thought into planning this, as he then took us from the three Burbank park plans, over to a video set up on a MacBook pro of Herb Ryman, or Herbie as our host affectionately referred to him as, discussing in an interview how he and Walt stayed up for a weekend drawing the original plan for Disneyland to show the bankers in New York to get funding for the park. Then, in a well-planned reveal, our host pulled back curtains to reveal that exact hand-drawn, large scale pencil rendering of the plans for Disneyland.
It was amazing. I almost cried. Here I was, standing in front of what was essentially the drawing that started it all. The Disney parks are my favorite aspect of the company besides Walt himself, and here in front of me was a piece of history that was made up equally of both. From the hands of a legendary imagineer and the mind of Walt himself, I almost didn't know how to take it all in. It was like meeting my idol.
The schematic itself was on a rolling wire-mesh wall, with many walls like it in front of it and behind. Hung on those walls were many other original Herb Ryman paintings and drawings, as well as other famous pieces or Disney park art. It was a lot to take in.
We were then shown some of the original silk-screened attraction posters. It was a funny coincidence that I had just started pinning these, and it was an experience to see all these, right there, in stacks. I wish I could have walked away with a couple.
On another wall, behind another curtain, were both the original concept paintings of the stretching room, and ones used on stage. Right there in front of my face, as creepy as ever. It was phenomenal.
After reluctantly pulling myself away from the room, we went to our hosts office which he shares with Vanessa Hunt, one of the two authors behind the new"Poster Art of the Disney Parks" book. I got to meet her, and was bummed I didn't have my copy with me to get signed. Alas it will not arrive until September and is completely sold out at the parks. It was enough just meeting her.
In the office, we were shown the software that the archivists and others use to access the digitized archives. Man, the pinning potential!
Also, sitting in a corner was Figment, an original from Epcot, all nonchalantly. That's just how it is when you're in a building with the most amazing Disney artifacts. Something that could be a spectacular piece on its own is no big deal. It's a weird, overwhelming feeling.
After getting a preview of the Poster art book, while standing in front of its author, we headed over to the WDI gift shop. If I we're a pinning man, I'd have dropped some serious dough on the WDI exclusive pins. Heck, I should have as someone who appreciates a nice ROI, but I'm not. Instead, I got myself two t-shirts: a classic WED Imagineering tee and a more modern, yet equally classic WDI shirt with the blueprint of Sleeping Beauty castle as a background. My girlfriend, in my opinion, got a much more interesting shirt, with an original Disneyland Date night flyer on it. Girls apparel is always more interesting than mens. Always.
It was then that we had to leave. It was a sad moment, but not so sad, because our connection to the place will always be around, and another tour is not impossible.
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| I got to see the original, up close and personal. It was amazing. |
Our host had put some thought into planning this, as he then took us from the three Burbank park plans, over to a video set up on a MacBook pro of Herb Ryman, or Herbie as our host affectionately referred to him as, discussing in an interview how he and Walt stayed up for a weekend drawing the original plan for Disneyland to show the bankers in New York to get funding for the park. Then, in a well-planned reveal, our host pulled back curtains to reveal that exact hand-drawn, large scale pencil rendering of the plans for Disneyland.
It was amazing. I almost cried. Here I was, standing in front of what was essentially the drawing that started it all. The Disney parks are my favorite aspect of the company besides Walt himself, and here in front of me was a piece of history that was made up equally of both. From the hands of a legendary imagineer and the mind of Walt himself, I almost didn't know how to take it all in. It was like meeting my idol.
The schematic itself was on a rolling wire-mesh wall, with many walls like it in front of it and behind. Hung on those walls were many other original Herb Ryman paintings and drawings, as well as other famous pieces or Disney park art. It was a lot to take in.
We were then shown some of the original silk-screened attraction posters. It was a funny coincidence that I had just started pinning these, and it was an experience to see all these, right there, in stacks. I wish I could have walked away with a couple.
On another wall, behind another curtain, were both the original concept paintings of the stretching room, and ones used on stage. Right there in front of my face, as creepy as ever. It was phenomenal.
After reluctantly pulling myself away from the room, we went to our hosts office which he shares with Vanessa Hunt, one of the two authors behind the new"Poster Art of the Disney Parks" book. I got to meet her, and was bummed I didn't have my copy with me to get signed. Alas it will not arrive until September and is completely sold out at the parks. It was enough just meeting her.
In the office, we were shown the software that the archivists and others use to access the digitized archives. Man, the pinning potential!
Also, sitting in a corner was Figment, an original from Epcot, all nonchalantly. That's just how it is when you're in a building with the most amazing Disney artifacts. Something that could be a spectacular piece on its own is no big deal. It's a weird, overwhelming feeling.
After getting a preview of the Poster art book, while standing in front of its author, we headed over to the WDI gift shop. If I we're a pinning man, I'd have dropped some serious dough on the WDI exclusive pins. Heck, I should have as someone who appreciates a nice ROI, but I'm not. Instead, I got myself two t-shirts: a classic WED Imagineering tee and a more modern, yet equally classic WDI shirt with the blueprint of Sleeping Beauty castle as a background. My girlfriend, in my opinion, got a much more interesting shirt, with an original Disneyland Date night flyer on it. Girls apparel is always more interesting than mens. Always.
It was then that we had to leave. It was a sad moment, but not so sad, because our connection to the place will always be around, and another tour is not impossible.
Wednesday, August 8, 2012
Imagineering History: Touring My Mecca Pt. 1
My life may not get better than how great it was on Friday, August 3.
That was the day, thanks to a friend of a friend, I toured Disney's Glendale campus, home to Imagineering (which I was not authorized to tour. They keep that place locked down like they're designing the next iPhone in there), and the Imagineering library, which holds some of the most iconic pieces of Disney history.
When I got there, one of the first things I saw as I walked to meet our host was an old entrance to a bowling alley, which has since been converted into offices for Imagineering, and was used as the exterior for Jack Rabbit Slim's restaurant in "Pulp Fiction." A cool fact, but anyone can walk by and see that. Like the saying goes, it's what's on the inside that counts.
We met our host, and the first thing I noticed was a full size print of a stretching room painting from the Haunted Mansion. It was cool, but just a taste of what was to come. We then walked down a hallway with all the highlights from the Disney parks, both domestic and international.
Then it was off, through the new courtyard area, to the library. In that library, Imagineers go to research everything. I was told the library had nearly every National Geographic ever printed, so the Imagineers can get every natural detail right when creating their own environments. We went into the children's library, where, if you pulled out a book, chances were some historic imagineer had picked out the same book years ago. If you were lucky, the book's library slip would be the original, documenting all who had read it before you, maybe John Hench, maybe Bob Gurr. Maybe no one, because someone decided they wanted a centerpiece for their personal collection.
From there we walked by a model of Disneyland constructed of pieces you would receive month-by-month if you were subscribed to a certain magazine. There were a lot of pieces. We also passed a tiki-room animatronic. Herb Ryman's personal library, donated from his estate. It was cold in there, to keep the history fresh. Open up just about any book, and there you could fin Herb's personal notes.
It was off to another room past a Walt Disney World Mr. Toad ride vehicle, and into a room full of binders that had every single detail of every attraction, from the specific color a certain feature was painted. The time I could have spent in there nerding out. We were shown a revolving file cabinet that was so large, the building had to be built around it. All that in old-form, paper media. I was told it was getting digitized. It should be done by 2035. That year was made up.
Another thing we were shown was the room where they do some of that digital documenting, with, ironically, a camera that seemed to be from the Ansel Adams, completely non-digital era. What wasn't old school was the device they used to capture those images, which cost thousands of dollars and produced multi-gigabyte images.
But that was just the beginning... Stay tuned for part 2 of my report!
That was the day, thanks to a friend of a friend, I toured Disney's Glendale campus, home to Imagineering (which I was not authorized to tour. They keep that place locked down like they're designing the next iPhone in there), and the Imagineering library, which holds some of the most iconic pieces of Disney history.
We met our host, and the first thing I noticed was a full size print of a stretching room painting from the Haunted Mansion. It was cool, but just a taste of what was to come. We then walked down a hallway with all the highlights from the Disney parks, both domestic and international.
Then it was off, through the new courtyard area, to the library. In that library, Imagineers go to research everything. I was told the library had nearly every National Geographic ever printed, so the Imagineers can get every natural detail right when creating their own environments. We went into the children's library, where, if you pulled out a book, chances were some historic imagineer had picked out the same book years ago. If you were lucky, the book's library slip would be the original, documenting all who had read it before you, maybe John Hench, maybe Bob Gurr. Maybe no one, because someone decided they wanted a centerpiece for their personal collection.
From there we walked by a model of Disneyland constructed of pieces you would receive month-by-month if you were subscribed to a certain magazine. There were a lot of pieces. We also passed a tiki-room animatronic. Herb Ryman's personal library, donated from his estate. It was cold in there, to keep the history fresh. Open up just about any book, and there you could fin Herb's personal notes.
It was off to another room past a Walt Disney World Mr. Toad ride vehicle, and into a room full of binders that had every single detail of every attraction, from the specific color a certain feature was painted. The time I could have spent in there nerding out. We were shown a revolving file cabinet that was so large, the building had to be built around it. All that in old-form, paper media. I was told it was getting digitized. It should be done by 2035. That year was made up.
Another thing we were shown was the room where they do some of that digital documenting, with, ironically, a camera that seemed to be from the Ansel Adams, completely non-digital era. What wasn't old school was the device they used to capture those images, which cost thousands of dollars and produced multi-gigabyte images.
But that was just the beginning... Stay tuned for part 2 of my report!
Wednesday, August 1, 2012
Visual Queues
Have I mentioned the internet is awesome? That's how I feel, if you don't know.
There are many reasons for me feeling this way, but this weeks, it's because I discovered a blog post with just about every original Tomorrowland poster from the early days of Disneyland.
I'd never seen many of these in person because I was too young to ever go on the rides, but some of these have been part of, what I feel, is the best memory that can be had at Disneyland: walking underneath the Disneyland Rail Road, through the tunnel with all the posters with the awaiting attractions, and walking into town square on Main St. USA.
Those posters may be just static pieces of paper, but what they represent is magic, fun, adventure, exploration, and everything that a day in the Disneyland can be.
I then, through my new fascination with Pinterest, unearthed the other classic posters, from the Matterhorn, to a Indiana Jones to a Peter Pan poster I'd never seen before.
Like I said in my post devoted to Pinterest, the website is enriching my knowledge of Disney History, and with that enrichment comes a huge amount of excitement.
Through Pinterest, I've discovered just how much of Disney's history can be told through visuals, but no other visuals make me feel more like I'm at Disneyland than these posters. They look the same on the screen as they do in real life, unlike everything else, from the castle to Mickey Mouse himself. They literally represent everything that is Disneyland. Many posters have remained unchanged over the many years, and the new ones are done in the same style. The colors are fantastic, the style is simple yet tells the whole story of the ride.
Disney knows this. If you're in the parks, you can pick up their new "Poster Art of the Disney Parks," or if your life is sad like mine and you don't frequent the parks, you can preorder it and get it in September.
I really hope that Disney starts making reprints of these more available. I know there's a kiosk you can order prints from in the Magic Kingdom. Though, getting your hands on a poster that's rare, it's that much more special.
I'd never seen many of these in person because I was too young to ever go on the rides, but some of these have been part of, what I feel, is the best memory that can be had at Disneyland: walking underneath the Disneyland Rail Road, through the tunnel with all the posters with the awaiting attractions, and walking into town square on Main St. USA.
Those posters may be just static pieces of paper, but what they represent is magic, fun, adventure, exploration, and everything that a day in the Disneyland can be.
I then, through my new fascination with Pinterest, unearthed the other classic posters, from the Matterhorn, to a Indiana Jones to a Peter Pan poster I'd never seen before.
Like I said in my post devoted to Pinterest, the website is enriching my knowledge of Disney History, and with that enrichment comes a huge amount of excitement.
Through Pinterest, I've discovered just how much of Disney's history can be told through visuals, but no other visuals make me feel more like I'm at Disneyland than these posters. They look the same on the screen as they do in real life, unlike everything else, from the castle to Mickey Mouse himself. They literally represent everything that is Disneyland. Many posters have remained unchanged over the many years, and the new ones are done in the same style. The colors are fantastic, the style is simple yet tells the whole story of the ride.
Disney knows this. If you're in the parks, you can pick up their new "Poster Art of the Disney Parks," or if your life is sad like mine and you don't frequent the parks, you can preorder it and get it in September.
I really hope that Disney starts making reprints of these more available. I know there's a kiosk you can order prints from in the Magic Kingdom. Though, getting your hands on a poster that's rare, it's that much more special.
Friday, July 6, 2012
Yay for DCA!
Disney California Adventure has FINALLY found its audience with the opening of Cars Land. Imagineers have given the park that magical Disney touch that it had been missing since Michael Eisner built it on the cheap back in 2001.
It's been open for around 20 days now, and I don't think a negative word has been written about it. People love it, and honestly, it's killing me that I haven't been yet, so all you boastful visitors, I've probably blocked you on Facebook at this point as a measure of self preservation. Yeah, I'm a little jealous.
I haven't been to the California parks since 2010, before I did the College Program in lovely Florida. Visiting DCA at that point, the re-imagining of Paradise Pier had been completed and World of Color was up and running. They'd already rid of the Eisner-ick that made the park so, well, boring.
Not so with Condor Flats and the Grizzly River Recreation Area, Those areas remain almost completely in tact, as they were from the dreadful Day One.
I've always thought that ripping out Grizzly River Run would do wonders for the park. A river rapid ride is so not Disney. Every Six Flags park has one. It's not unique, fun, or worth the five acres it takes up in the middle of the park.
It was, when the park opened, the icon of Disney California Adventure, the weenie, as Walt would have called it. But, much like the Fantasia hat over at DCA's sister park, Hollywood Studios (which covers up Grauman's, the original, and still superior, weenie), there is something that could be a much better icon. In DCA's case, it's the new Carthay Circle Theater, which stands higher than Sleeping Beauty's Castle across the concourse. With the need for something to print on merchandise to distinguish the park filled, there's no need for the uncreative, unimaginative mountain.
As techskip points out on MicheChat.com's web forum, Condor Flats is a land designed to represent the desert portions of California. And so is Cars Land. And Cars Land does it better, so why two lands representing basically the same California climate? Surely the imagineers have noticed the redundancy, and are planing on doing something about it.
The west side of the park can't be ignored now that the east side has gotten the brunt of the updates. The newly named "Hollywood Land" where "Who Want To Be A Millionaire" and the "Monsters Inc." dark ride (which should also be replaced by something that, at the very least, begs for multiple rides) is currently, also needs some attention.
But, when you look at the money Disney has been spending (A billion in California, a billion in Florida, a couple billion on cruise ships, a billion probably on Avatar land [Still have saying that]) you come to the conlcusion that they've spend a lot lately. They've come to that conclusion, too, and aren't going to make it a trend.
From the Orlando Sentinel: "We should be coming down substantially — substantially — in domestic spending," Disney Chief Financial Officer Jay Rasulo said during a recent presentation to stock analysts.
So, while all this would be fantastic, reports have come out that Disney may be putting some money into Disneyland's Tomorrowland. This news, with the news of the reduction in capital spending, all means that Disney California Adventure will probably look pretty similar to how it does today 10 years from now.
Or maybe, just maybe, Disney will realize what Walt always knew: being cheap puts you on the level of everybody else, and reinvesting money back into the parks, well, that gets you Cars Land.
It's been open for around 20 days now, and I don't think a negative word has been written about it. People love it, and honestly, it's killing me that I haven't been yet, so all you boastful visitors, I've probably blocked you on Facebook at this point as a measure of self preservation. Yeah, I'm a little jealous.
I haven't been to the California parks since 2010, before I did the College Program in lovely Florida. Visiting DCA at that point, the re-imagining of Paradise Pier had been completed and World of Color was up and running. They'd already rid of the Eisner-ick that made the park so, well, boring.
Not so with Condor Flats and the Grizzly River Recreation Area, Those areas remain almost completely in tact, as they were from the dreadful Day One.
I've always thought that ripping out Grizzly River Run would do wonders for the park. A river rapid ride is so not Disney. Every Six Flags park has one. It's not unique, fun, or worth the five acres it takes up in the middle of the park.
It was, when the park opened, the icon of Disney California Adventure, the weenie, as Walt would have called it. But, much like the Fantasia hat over at DCA's sister park, Hollywood Studios (which covers up Grauman's, the original, and still superior, weenie), there is something that could be a much better icon. In DCA's case, it's the new Carthay Circle Theater, which stands higher than Sleeping Beauty's Castle across the concourse. With the need for something to print on merchandise to distinguish the park filled, there's no need for the uncreative, unimaginative mountain.
The west side of the park can't be ignored now that the east side has gotten the brunt of the updates. The newly named "Hollywood Land" where "Who Want To Be A Millionaire" and the "Monsters Inc." dark ride (which should also be replaced by something that, at the very least, begs for multiple rides) is currently, also needs some attention.
But, when you look at the money Disney has been spending (A billion in California, a billion in Florida, a couple billion on cruise ships, a billion probably on Avatar land [Still have saying that]) you come to the conlcusion that they've spend a lot lately. They've come to that conclusion, too, and aren't going to make it a trend.
From the Orlando Sentinel: "We should be coming down substantially — substantially — in domestic spending," Disney Chief Financial Officer Jay Rasulo said during a recent presentation to stock analysts.
So, while all this would be fantastic, reports have come out that Disney may be putting some money into Disneyland's Tomorrowland. This news, with the news of the reduction in capital spending, all means that Disney California Adventure will probably look pretty similar to how it does today 10 years from now.
Or maybe, just maybe, Disney will realize what Walt always knew: being cheap puts you on the level of everybody else, and reinvesting money back into the parks, well, that gets you Cars Land.
Tuesday, May 15, 2012
Thursday, May 10, 2012
Modern Family's Fantasy Visit to Disneyland
I just finished "Toontown Abbey," the Modern Family episode where the family takes a trim to The Happiest Place on earth. A place I know so well that was depicted in some realistic and unrealistic ways.
For starters, the episode starts off at the Dunphy's house, with sun flowing in the windows, seeming to be about 9 o'clock. Now, I'm not a Southern California resident, so I don't know how they do it, but I'd expect if you're going to make a day out of a Disneyland trip, you'd leave a little earlier than that. At least I would.
I did appreciate the fodder that went on between Gloria and Jay Pritchett have when Gloria tries to wear high heels to the park. Any frequent visitor knows the feeling of confinement and slight fury that hits when they see a women wearing those uncomfortable shoes for a day at the enormous parks. Since the show is a ABC production, it's nice to know that the owners of the park know its ridiculous too.
When the family gets there, Phil and Luke hit up Indianna Jones first, and are elated when Luke passes the height test, and they gleefully run 10 feet to the end of a 45 minute line. It was a funny gag, and again I appreciated the realistic view of a day at the park it provided. The show didn't have to make anything real, and often didn't, because the episode was a synergistic commercial for the park, more or less.
The unrealistic parts: when Haley's ex-bofriend shows up and turn out to be part of the Dapper Dan's. This kid is like 17,18. Maybe I'm wrong, but I don't think I've ever seen a Dapper Dan under the age of thirty, nor on a tandem bicycle. Then he shows up in a Little Bear costume, which I have never seen before, and proceeds to talk while in it: one of the biggest no-no's for a character. The show does end up revealing that the kid gets fired. It was another funny gag, but depicted something that just about never happens, and if it does, it's a big deal. Luke, after going on Indianna Jones, suggests going on the Matterhorn, which his dad Phil is ok with, and they run off and end up on Thunder Mountain. The Matterhorn was closed during the filming of the episode. And after they go on Thunder Mountain, Luke decided to go on Space Mountain, across the park from Thunder Mountain. Not the most economical decision, speaking in terms of distance.
Then the family leaves before the sun even sets. Disney is so spectacular when the sun goes down, I don't think a family would take off during daylight. I did appreciate that the family's last stop was "Great Moments with Mr. Lincoln," a Disneyland classic, and something I always try to make my last stop in adherence to my family's tradition.
Overall, the episode had some good laughs, and I always love seeing the Happiest Place on Earth, even if it is in a half hour long subtle commercial. They did a good job for the most part of depicting what a real person's experience at the park would be, so kudos to them. But a talking character...I don't know.
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| I thought this scene was funny, with the visible roped off crowd taking pictures in the back ground. |
I did appreciate the fodder that went on between Gloria and Jay Pritchett have when Gloria tries to wear high heels to the park. Any frequent visitor knows the feeling of confinement and slight fury that hits when they see a women wearing those uncomfortable shoes for a day at the enormous parks. Since the show is a ABC production, it's nice to know that the owners of the park know its ridiculous too.
When the family gets there, Phil and Luke hit up Indianna Jones first, and are elated when Luke passes the height test, and they gleefully run 10 feet to the end of a 45 minute line. It was a funny gag, and again I appreciated the realistic view of a day at the park it provided. The show didn't have to make anything real, and often didn't, because the episode was a synergistic commercial for the park, more or less.
The unrealistic parts: when Haley's ex-bofriend shows up and turn out to be part of the Dapper Dan's. This kid is like 17,18. Maybe I'm wrong, but I don't think I've ever seen a Dapper Dan under the age of thirty, nor on a tandem bicycle. Then he shows up in a Little Bear costume, which I have never seen before, and proceeds to talk while in it: one of the biggest no-no's for a character. The show does end up revealing that the kid gets fired. It was another funny gag, but depicted something that just about never happens, and if it does, it's a big deal. Luke, after going on Indianna Jones, suggests going on the Matterhorn, which his dad Phil is ok with, and they run off and end up on Thunder Mountain. The Matterhorn was closed during the filming of the episode. And after they go on Thunder Mountain, Luke decided to go on Space Mountain, across the park from Thunder Mountain. Not the most economical decision, speaking in terms of distance.
Then the family leaves before the sun even sets. Disney is so spectacular when the sun goes down, I don't think a family would take off during daylight. I did appreciate that the family's last stop was "Great Moments with Mr. Lincoln," a Disneyland classic, and something I always try to make my last stop in adherence to my family's tradition.
Overall, the episode had some good laughs, and I always love seeing the Happiest Place on Earth, even if it is in a half hour long subtle commercial. They did a good job for the most part of depicting what a real person's experience at the park would be, so kudos to them. But a talking character...I don't know.
Monday, April 2, 2012
Avoiding "DisneyLine": Pop Up Shows
"Any dream is possible, wishes do come true!"
One of the valuable lessons you can learn during one of the many-but probably the most annoying-pop up shows that add that little something to a Disney parks visit.
Come early in the morning, and you can meet the mayor and other residents of Main Street USA, or hear about the many great things living in the early 20th century have to offer, lip-synced by a bunch of people who can't decide if the want to ride the horse drawn trolley down the street of jump off it an sing. Or you can learn about the life of a pirate in Adventureland, as told by Captain Jack Sparrow.
If you're at Hollywood studios, you can see the Citizens of Hollywood put on their pop-up show, or walk into the middle of a bunch of high school kids randomly breaking out in song. Don't be afraid to be a part of the show, after all, we're all in this together. Maybe you're in the Hollywood back lot, and you happen to find yourself listening to a band covering the classics of rock'n'roll while the truck for their gardening business is being repaired. One of the better guises for a pop-up if you ask me.
The many pop-up-shows of Disney are what separate it from other theme parks, and also something that you can do that doesn't involve waiting in a line. Some of them are entertaining, while others offer the only free food to be found in a Disney park: cheese. You know, kind of like that joke.
As far as I can recall, having actors take on the role of inhabitants has been exclusive to Walt Disney World, Besides Billy Hill and the Hillbillies and The Laughing Stock Co. in Frontierland. Now, in the Disney Parks Blog most recent post, the new Buena Vista Street in California Adventure will feature The Red Car News Boys, singing on the new Red Car Trolleys (one my my favorite new additions) along with Five and Dime in the Carthay Circle Theater. I probably won't ever stop for an extended amount of time to watch either of these acts, but just walking by is enough to appreciate how much it will add to the aura of Buena Vista Street. Though, if those Newsies prevent me form boarding a Trolley, my attitude may change.
There's also been the addition of Minnie's Fly Girls over in Condor Flats, filled with songs from the 40's to the 60's, reliving the glory days of being a flight attendant, and there's the Phineas and Ferb's Rockin' Rollin' Dance Party. California Adventure seems to be following more closely in Disney World's footsteps when it comes to the pop-ups.
These shows are great additions if you're traveling with little ones, or a way to keep a couple extra people out of the line of your favorite ride, shaving a couple minutes off for you.
What do you think? Do you stop and watch, or just appreciate the ambiance they add to the parks?
One of the valuable lessons you can learn during one of the many-but probably the most annoying-pop up shows that add that little something to a Disney parks visit.
Come early in the morning, and you can meet the mayor and other residents of Main Street USA, or hear about the many great things living in the early 20th century have to offer, lip-synced by a bunch of people who can't decide if the want to ride the horse drawn trolley down the street of jump off it an sing. Or you can learn about the life of a pirate in Adventureland, as told by Captain Jack Sparrow.
 |
| Concept art for The Red Car Boys |
The many pop-up-shows of Disney are what separate it from other theme parks, and also something that you can do that doesn't involve waiting in a line. Some of them are entertaining, while others offer the only free food to be found in a Disney park: cheese. You know, kind of like that joke.
As far as I can recall, having actors take on the role of inhabitants has been exclusive to Walt Disney World, Besides Billy Hill and the Hillbillies and The Laughing Stock Co. in Frontierland. Now, in the Disney Parks Blog most recent post, the new Buena Vista Street in California Adventure will feature The Red Car News Boys, singing on the new Red Car Trolleys (one my my favorite new additions) along with Five and Dime in the Carthay Circle Theater. I probably won't ever stop for an extended amount of time to watch either of these acts, but just walking by is enough to appreciate how much it will add to the aura of Buena Vista Street. Though, if those Newsies prevent me form boarding a Trolley, my attitude may change.
There's also been the addition of Minnie's Fly Girls over in Condor Flats, filled with songs from the 40's to the 60's, reliving the glory days of being a flight attendant, and there's the Phineas and Ferb's Rockin' Rollin' Dance Party. California Adventure seems to be following more closely in Disney World's footsteps when it comes to the pop-ups.
These shows are great additions if you're traveling with little ones, or a way to keep a couple extra people out of the line of your favorite ride, shaving a couple minutes off for you.
What do you think? Do you stop and watch, or just appreciate the ambiance they add to the parks?
Friday, March 30, 2012
Marvel Meets the Mouse
Mickey Mouse, Donald Duck, Cinderella. The Green Goblin. Funny as it may sound, these characters now inhabit the same world of fantasy.
It's been a lingering question, since Disney acquired Marvel in 2009, if these famous fantastical personalities would live harmoniously in Disney's own worlds of fantasy: their theme parks.
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| "The Avengerail" |
Bob Iger, the CEO and supreme chancellor of Disney (now that he's chairman of the board, too), recently mentioned that the future will see Marvel characters walking around, posing for pictures in Disney's theme parks.
The superhero's first foray near the theme parks (not including merchandise) will pop up this spring as the TRONorail will be replaced with the Avengerail. It's a good move by Disney, as it will slowly introduce a presence of the new slew of characters to the Disney parks. It's also a great advertising gimmick, and keeps the older models of Walt Disney World's monorails looking fresh.
It's the first small step towards integrating the two companies (that are now, technically one). When Iger announced that the characters would eventually be making their way into Disney parks, my reaction was one of "No Duh!"
People will love seeing their favorite super heroes roaming around the parks, but Disney will have to work hard to separate itself from the much less classy Universal Studios that the Marvel Universe is still associated with.
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| James Cameron tours Animal Kingdom |
They can't just put them anywhere. Hollywood Studios at the World and the Hollywood Pictures Backlot at California adventure seem like the only logical places to meet and greet with The Hulk and Iron Man. Though, once the idea seems a little more natural, who knows how we'll feel.
The "Disney" brand has always branched a little from the actual Disney company in itstheme parks, and it's usually for the better. Who doesn't love Star Tours, Indiana Jones or the Terror of Terror? Soon, Avatar, which was distributed by 20th Century Fox, will have a significant presence in Animal Kingdom, and the American Idol experience is a prominent part of Hollywood Studios.
Disney knows how to seamlessly introduce things that weren't produced in-house to its theme parks. Introducing Marvel characters is a challenge Disney has yet to face, as their presence has previously been in a rival theme park, but it's one Disney is almost guaranteed to pass.
Monday, March 12, 2012
Cars Land and the Realization of a Park
My distaste for Disney California Adventure Park is not something I shy from, but it may be something I abandon come June 15.
That's when the results of park's gigantic, $1.1 billion renovation will open to the public. This means the new Buena Vista Street, with its classic, 1920's Hollywood theme, and Cars Land, Radiator Springs and all, will open to the public.
It marks the final stage of a re-imaging of California Adventure that brought us The World of Color, The Little Mermaid, and the re-theming of Paradise Pier, all welcome additions what was a less-than-thrilling park on opening day a little more than 11 years ago.
It says a lot about the park's (lack of) original vision that Disney was willing to cough up over a billion dollars to do something for the underwhelming park.
Personally, the only thing that's been there from day one that remains fresh is California Screamin' (the video was shot before the Paradise Pier makeover), which itself has had a design overhaul. I still stand by my statement that there is no place for a story-less river raft ride in a Disney park (That means you too, Kali!).
But alas, with the addition of Cars Land, the new Buena Vista Street, and everything else that has been added since the park's lackluster launch, The Disneyland Resort may actually become a two-day park, instead of a one-and-a-half day outing, where you visit California Adventure on your way to the airport.
I know I'm ready to be impressed with the new additions. How do you feel about them?
That's when the results of park's gigantic, $1.1 billion renovation will open to the public. This means the new Buena Vista Street, with its classic, 1920's Hollywood theme, and Cars Land, Radiator Springs and all, will open to the public.
It marks the final stage of a re-imaging of California Adventure that brought us The World of Color, The Little Mermaid, and the re-theming of Paradise Pier, all welcome additions what was a less-than-thrilling park on opening day a little more than 11 years ago.
It says a lot about the park's (lack of) original vision that Disney was willing to cough up over a billion dollars to do something for the underwhelming park.
But alas, with the addition of Cars Land, the new Buena Vista Street, and everything else that has been added since the park's lackluster launch, The Disneyland Resort may actually become a two-day park, instead of a one-and-a-half day outing, where you visit California Adventure on your way to the airport.
I know I'm ready to be impressed with the new additions. How do you feel about them?
Tuesday, March 6, 2012
My Favorite Sherman Brothers Song
Today, the Disney community has learned of the sad news that Robert B. Sherman passed away. The man lived a long, productive life, and provided a great amount of joy to many people (and agony to some when they got a song of his stuck in their head, which in a way is a compliment to his talent).
There's a great documentary, which I have reviewd on Robert and his brother Richard, and I highly reccomend it. There's a great story behind their great music.
I wanted to focus on Robert's legacy, which of course, is music. Though I find most of the Sherman brother's music throughly entertaining, there is one song I favor particularily.
I'll give you a hint: it's about bird who sings words and crooning flowers.
It's the best Sherman brothers song that you can find in a Disney park. Considering its comptition is "it's a small world," that may not be saying much (Though, "it's a small world (after all)" is a genius song, both in concept and the catchiness factor that so many detest).
Unlike "it's a small world," with it's elaborate sets and scenes, the "Tiki Room" theme is the attraction, especially viewed by today's standards. The singing audioanimatronics were extremely innovative when the attraction debuted, but as with all technology, it has become dated. The music, though, is timeless, and is a pleasure to have stuck in your head.
What's your favorite Sherman brothers song? Winnie the Pooh? Chiti Chiti Bang Bang? Supercalifragilisticexpialidocious? Comment with your pick!
There's a great documentary, which I have reviewd on Robert and his brother Richard, and I highly reccomend it. There's a great story behind their great music.
I wanted to focus on Robert's legacy, which of course, is music. Though I find most of the Sherman brother's music throughly entertaining, there is one song I favor particularily.
I'll give you a hint: it's about bird who sings words and crooning flowers.
It's the best Sherman brothers song that you can find in a Disney park. Considering its comptition is "it's a small world," that may not be saying much (Though, "it's a small world (after all)" is a genius song, both in concept and the catchiness factor that so many detest).
Unlike "it's a small world," with it's elaborate sets and scenes, the "Tiki Room" theme is the attraction, especially viewed by today's standards. The singing audioanimatronics were extremely innovative when the attraction debuted, but as with all technology, it has become dated. The music, though, is timeless, and is a pleasure to have stuck in your head.
What's your favorite Sherman brothers song? Winnie the Pooh? Chiti Chiti Bang Bang? Supercalifragilisticexpialidocious? Comment with your pick!
Thursday, March 1, 2012
One More Disney Day: How Was It?
I've probably come across as bitter for not having been able to go to Disneyland for "One More Disney Day." I'm not. I've been in the Magic Kingdom all night long. If I did it again, I think I might have stress flashbacks.
From the news about how it went for everyone yesterday, I wouldn't have needed to suffer from reliving the memories of my College Program days to be throughly stressed out.
Read it for yourself:
#Disney24 should have been exclusive to pass holders only...what a waste #disneyland
@Disneyland: UPDATE: "One More Disney Day" @Disneyland continues to be very popular. Disneyland park is currently full. Updates to follow. #Disney24
@DLthings:I can't believe I'm saying this, but #Disney24 should have been a hard-ticket event. Anything to avoid the horrors I witnessed last night
I read tweets that claimed 2.5 hour wait times JUST TO GET INTO THE PARKING LOT.
But it's February. There is not reason to wait in any line more than 20 minutes at Disneyland. It's the down season, meaning the weather isn't great (I heard it hit the 40's last night) and the crowds should be slim.
So, kudos are in order to the marketing team for the event. Just like many of the different types of runDisney events, "One More Disney Day" made a typically slow day into a money making hit for the theme parks.
It just doesn't sound like any magic was made. And magic is why you go to the disney parks.
Friday, February 24, 2012
Your iPhone: A Guide to the Magic
Tech is my mistress when it comes to my love of all things Disney, but sometimes, that relationship can be a little progressive and all three of us can have a good time together.
I love Disney, and I love apps, and sometimes the two work together in harmony, like the new Disneyland Explorer App for the iPad. I wrote a review for it (which was up here, until I tried to edit it on my phone and deleted the whole thing somehow) and it's a great free app, offering a lot of interactive features and an immersive experience you'd expect from Disney.
Disney seems to be a roll in 2012, as today, the Mobile Magic App, previously exclusive on the Verizon network, has been released on all iOS devices! I am super excited about this because I have always drooled over Big Red exclusive app, but now, I can use it.
The app is great for finding character, getting around the park, making dining reservations, and many other things. I was looking at the wait times and Fastpass availability, though, and their system is disappointing. Instead of specific wait times, it displays that attractions are "See Now" as in no wait, "Moderate," or "In High Demand." This could require guesswork, which is a design flaw. Just tell me the time!
The biggest feature I was looking forward to was seeing when the Fastpass times were without having to walk up to the attraction, a function I heard the app delivered. It does, but again, only kind of. It's a lot more black and white on the app, informing users only if there are any Fastpasses left. If you know the parks well enough, you know that after 2 p.m. on a crowded day, it's going to be hard to get a Fastpass for any ride where the shorter wait time could come in handy.
I like things to be specific, and the app has a lot of general information. It could do better.
Let me know what you think, and how the app functions in the parks, and compares to the Verizon-only version!
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| The load screen. Verizon still has ties to the app. |
Disney seems to be a roll in 2012, as today, the Mobile Magic App, previously exclusive on the Verizon network, has been released on all iOS devices! I am super excited about this because I have always drooled over Big Red exclusive app, but now, I can use it.
The app is great for finding character, getting around the park, making dining reservations, and many other things. I was looking at the wait times and Fastpass availability, though, and their system is disappointing. Instead of specific wait times, it displays that attractions are "See Now" as in no wait, "Moderate," or "In High Demand." This could require guesswork, which is a design flaw. Just tell me the time!
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| See what I'm talking about? |
I like things to be specific, and the app has a lot of general information. It could do better.
Let me know what you think, and how the app functions in the parks, and compares to the Verizon-only version!
Wednesday, February 15, 2012
Is "One More Disney Day" Worth It?
Nothing is better than walking around Disneyland in a state of severe sleep deprivation, right?
Wrong. I don’t know about you, but I’m a guy who appreciates a good, full night of sleep so I can tackle the next day at 100 percent.
Now, not all people are like this, especially my age, and Disney knows this. That’s why, during the busy seasons, the Magic Kingdom is sometimes open until three in the morning.
I’ve seen it, and sometimes when I was working those late hours, I would wonder what these people were going to do for the remainder of their vacation. The best way to do a park is to get there when it opens, which is impossible when that’s the time you get home from your hotel. Often, these groups were with small children, who wake up with the sunrise.
When my girlfriend came to visit while I was doing the College Program, we tried to do a late night, but didn’t last and instead decided to go back and sleep, hoping our foresight would make the next day better.Which brings me to my topic for this post, buried in the fourth paragraph: Disneyland and the Magic Kingdom’s upcoming “One More Disney Day!” event coming up on Feb. 29, better known as leap day. On this day, the two parks will be open for 24 hours straight. (Boy, am I glad I don’t work at the Magic Kingdom right now. That’s gonna be tough.)
The event, in theory, sounds like a great promotion. It’s innovative and buzz worthy from a marketing viewpoint, but that is about the only purpose it serves. No one is going to enjoy a 22, 23, or 24 straight hour at Disneyland. There’s a lot to do, but not that much, and even if there was, nothing is fun when every step takes that much more effort.
With admission prices being as high as they are, many will try to squeeze every minute out of this special offer. Though, with the money they will no doubt spend on coffee and Five Hour Energy and the harsh, probably incomprehensible words sure to be yelled at each other in the 23rd hour, will it be worth it?
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