Your iPhone: A Guide to the Magic

Tech is my mistress when it comes to my love of all things Disney, but sometimes, that relationship can be a little progressive and all three of us can have a good time together.

The load screen. Verizon still has ties
to the app. 

I love Disney, and I love apps, and sometimes the two work together in harmony, like the new Disneyland Explorer App for the iPad. I wrote a review for it (which was up here, until I tried to edit it on my phone and deleted the whole thing somehow) and it's a great free app, offering a lot of interactive features and an immersive experience you'd expect from Disney.

Disney seems to be a roll in 2012, as today, the Mobile Magic App, previously exclusive on the Verizon network, has been released on all iOS devices! I am super excited about this because I have always drooled over Big Red exclusive app, but now, I can use it.

 The app is great for finding character, getting around the park, making dining reservations, and many other things. I was looking at the wait times and Fastpass availability, though, and their system is disappointing. Instead of specific wait times, it displays that attractions are "See Now" as in no wait, "Moderate," or "In High Demand." This could require guesswork, which is a design flaw. Just tell me the time!

See what I'm talking about? 

The biggest feature I was looking forward to was seeing when the Fastpass times were without having to walk up to the attraction, a function I heard the app delivered. It does, but again, only kind of. It's a lot more black and white on the app, informing users only if there are any Fastpasses left. If you know the parks well enough, you know that after 2 p.m. on a crowded day, it's going to be hard to get a Fastpass for any ride where the shorter wait time could come in handy.

I like things to be specific, and the app has a lot of general information. It could do better.

Let me know what you think, and how the app functions in the parks, and compares to the Verizon-only version!

Is "One More Disney Day" Worth It?

Nothing is better than walking around Disneyland in a state of severe sleep deprivation, right?
Wrong. I don’t know about you, but I’m a guy who appreciates a good, full night of sleep so I can tackle the next day at 100 percent.

Now, not all people are like this, especially my age, and Disney knows this. That’s why, during the busy seasons, the Magic Kingdom is sometimes open until three in the morning.

I’ve seen it, and sometimes when I was working those late hours, I would wonder what these people were going to do for the remainder of their vacation. The best way to do a park is to get there when it opens, which is impossible when that’s the time you get home from your hotel. Often, these groups were with small children, who wake up with the sunrise.

When my girlfriend came to visit while I was doing the College Program, we tried to do a late night, but didn’t last and instead decided to go back and sleep, hoping our foresight would make the next day better.

Which brings me to my topic for this post, buried in the fourth paragraph: Disneyland and the Magic Kingdom’s upcoming “One More Disney Day!” event coming up on Feb. 29, better known as leap day. On this day, the two parks will be open for 24 hours straight. (Boy, am I glad I don’t work at the Magic Kingdom right now. That’s gonna be tough.)

The event, in theory, sounds like a great promotion. It’s innovative and buzz worthy from a marketing viewpoint, but that is about the only purpose it serves. No one is going to enjoy a 22, 23, or 24 straight hour at Disneyland. There’s a lot to do, but not that much, and even if there was, nothing is fun when every step takes that much more effort.

With admission prices being as high as they are, many will try to squeeze every minute out of this special offer. Though, with the money they will no doubt spend on coffee and Five Hour Energy and the harsh, probably incomprehensible words sure to be yelled at each other in the 23rd hour, will it be worth it?

Remaking the Mountain

My Google updates (my secret has been revealed! It's like you've seen my backstage) have been exploding (I've gotten like 6 updates) about the Matterhorn's $1 million refurbishment. 

Many of the articles (at least two) mention the fact that some guests to Disneyland were disappointed to find out upon seeing the mountain dressed in scaffolding that they would not get to ride down the famous 1/100 reproduction of the Swiss peak.


When I was working at Walt Disney World, I showed up in January and in February, Mickey's Toontown Faire was closed to become the double-Dumbo'ed Storybook Circus.

You want to know how many times people asked me where Mickey's house was? (Hint: that was a rhetorical question, with the answer being a large, annoying answer.)

If I was in a smart-alec mood, I would tell them "It's in Anaheim!" If I was in a literal mood, I'd tell them the truth. But always, after the question, I would ask myself "How much money did these people spend to come here, and they didn't figure out pre-visit that Toontown would be a relic of the past?"

The Disneyland monorail passes by the Matterhorn
(Glenn Koenig, Los Angeles Times / February 2, 2012)

So, it's no secret how much sympathy I feel for these people who are surprised about the Matterhorn's status. It's always been my strong held belief to make plans and do your research.  

You know the internet? That thing you're connected to right now. It's a great resource, especially when you're about to drop a couple grand on a vacation and you'd like to know what you're going to get for all that money you spent. Though, if you're reading this, you probably know that, and I just wasted your time. Sorry about that.

Since I will not be missing anything, as I won't be visiting Disneyland between now and June (but my mom will, sorry mom! But I don't get to go so ha! Serves you right for not taking me!), I'm happy that the mountain will be shiny with it's new snow (paint) and its new ride vehicles when my next visit comes!

No More Fastpass Cheating

Looks like all that golden information I gave you all in my "How to Never Wait In Line" is null now.

TouringPlans.com reports that on March 7, that second time printed on you FastPass will actually mean something. No longer are the days of getting a FastPass and only worrying about the first time and showing up after that. It will now be mandatory to show up in the hour window printed if you want your FastPass to save you time instead of saving your page in a book post-vacation.

This seems like a small change, but it's not. My whole strategy for getting a lot done in a Disney park, even on a crowded day, will have to be completely reformulated. Usually, as I discussed on the aforementioned previous post, I stock up on FastPasses and rarely use them in the hour window they suggest.

Logistically, the move makes sense. The whole system works on some type of algorithm or some other big math word that I don't even try to pretend to understand. But simple logic says that if everyone who has FastPasses for a certain attraction on a certain day decides to show up at a certain time, regardless of when they got the FastPass, then the whole system is useless and your FastPass only gets you into a slightly smaller line.

On a macro level (Yeah, macro) it will make things smoother and more functional, but on the micro level, meaning me being selfish, it's a game ruiner.

I'm Going to Disneyland...On My iPad!

What I'm Reading

After a 7-month-long trip to Walt Disney World in hellish Orlando, FL, I figured I’d cleanse a little via some Disneyland literature. The book: Disneyland Through the Decades

Cars 2: My Belated Thoughts

Pixar means many things. Most obviously it's the name of the pioneering film studio in Emeryville, Ca.

 For me, Pixar means much more: quality, excitement, entertainment, wonder, thrill, joy.

And, for the first time ever, it means disappointment. It had to happen, the law of averages tells me. To be fair, I saw it coming, but now that it's here, my acute foresight does not make the pain of seeing an average film that is of the Pixar brand any less searing.

The motifs, the morals and the jokes of the film lead me to believe that the movie is more Disney than it is Pixar. The $10 billion in projected merchandise sales also leads me to this conclusion, as does the special toy sections in Target and Ride Makerz, or anywhere else where money be be exchanged for goods.

Pixar's productions, as with most Disney related films, are about overcoming a difference or obstacle. In "UP," Carl faced living a life without his wife and an unfulfilled dream weighing down on him, "Ratatoullie," a rat that loved to cook; "WALL-E," a robot that could love. With "Cars 2," it’s a red neck truck that gets mistaken as a spy, and in the process, gets rejected by his friend, who wants him to change.

I wanted Mater to change, too. Next time, be a little less of a push over, Lightning! I'm not endorsing rejecting who you are, but if who you are is as unfunny and bland as Tow Mater, change might not be a bad thing. Especially if you're that kind of person/car and you happen to be starring in a movie produced by my favorite studio. In that case, change, and change quickly, preferably into a new, original character that has nothing to do with a sequel. Like say, a red-headed scottish girl. That sounds like a good idea. A one eyed green walking sphere? Don't change into that.

"Cars 2" could have been made by any studio. That emotion that Pixar films elicit, that connection that is made with the characters, the excitement the plots bring, it's always magical. None of that exists in "Cars 2." It's just one stupid, fart/red-neck/ignorant joke after another. There are some hints of humor that remind you that what you're watching, at one point (the PS, and the PPS from Mater, that was funny), had The Business’s most original minds behind it, but the rest of it makes apparent you that they had to hand their baby over at some point to Rumpel Stiltsken. Those 11 films of spun gold had to be paid for. "Toy Story 2" took the necklace, "3" the ring.            

It's a movie made for a specific audience, something that has not been done by Pixar: that's how I see it. Obviously, Lasseter and Co. want to make movies that people enjoy, and have been successful in doing so.  But the secret to that success is that the movies were made for self satisfaction.They're huge film fans making movies that they would like, which seems like an obvious way to make a film. And it's what they did, until Disney took over, made them release the film a year early, and slowly stripped them of their artistic integrity. When I visited the studios late last year, I was informed that the people in the rooms around me were a little peeved, having been forced to put the film out a year early. Their frustration shows. It also lives in me and all others who truly and devotedly love what they do at Pixar.

Here's to waiting for their next original film, "Brave."

Disney Related Review: The AMC Dine-In Theaters

Today I shall talk about something only slightly related to Disney: The AMC Dine-In Theaters located in the Downtown Disney District at Walt Disney World in Orlando, Florida, United States, Planet Earth, Milky Way Galaxy (just to clear up any confusion).

What welcomes you

I came upon this experience in a most unconventional way: I was forced into it. I wanted to see the 6:30 Kung Fu Panda (yes, a Dreamworks film, sacrilege, I know), and it turns out that the 6:30 was in the Dine-In Theater. I was not going to change the time, so I bit the bullet and paid the extra $2 for the Dine-In experience, and then the extra $2 for the 3D experience, and then the extra money for the food and tip. So because of my stubbornness, I spent an extra $15ish more than I wanted to. But I got a blog post out of it, so, priceless? For you, at least.

After walking from the normal ticket booth to the entrance of the Dine-In Theaters at the other end of the 24-screen theater, I hurried in, got my ticket torn, received a weird look from the ticket taker (it wasn’t because my fly was down: I’d pulled it up at that point), walked in, sat in my assigned seat, and took in my setting.

The seats were much larger than your typical theater recliner, accompanied by a small, bar-esque table in front of you that is just far enough away from your seat to make eating a dish a comfortable activity, all of it lit with some classic movie theater rope-light .

After sitting for about 10 minutes, I pressed my waiter button (which all restaurants should have. I’m a guy who needs around 8 refills a meal, and I’m too passive to just ask, so a “waiter, come hither!” button would be perfect for me), and eventually the waiter came hither, sat next to me in the empty seat, and took my small order of a popcorn and a Diet Coke.

A couple minutes later, he delivered, and I started eating at an extremely rapid pace so I could take advantage of having the waiter refill my popcorn. I didn’t need to try to inhale my drink because that’s a natural thing for me (technically so is eating a lot, but an entire large popcorn, that took some Kung Fu Panda-like concentration.)

My "meal" a Diet and popcorn

Overall, the waiters walking through the theater, taking and delivering orders, was not as distracting as it could be. Neither was the brighter-than-usual area lighting, and the air must have been circulated in the theater better than the non-dine in theaters, because unlike when the person behind me orders a hot dog with everything, and the person in front of me orders nachos con jalapeño, thus making the theater stink like a flamingo corral, the other-people’s-food-always-smells-like-a-garbage-can problem was not a factor.

What was a problem was going through the menu, getting an order, getting a bill, paying it and the distraction all of that caused. I’m a guy who likes to be completely immersed in a film at the theaters, and generally am. That’s why I’m willing to drop so much dough at the box office every month. The things that should have been the obvious distractions were no problem, but the Dine-In experience still has its flaws. If you’re serious about your movies, then skip it.  Dining in at a movie is a novelty, and like all novelties that have to do with the film going experience (3D, Drive Ins, Sing-alongs), it’s more distracting than anything. If you want to see a movie, than do that and only that.

Going Behind the Scenes at Expedition Everest

While here on the College Program, many opportunities have been presented to me. The Spring formal, trips to Tampa Bay Rays games, speaker session with Meg Crofton, networking opportunities. They do a pretty OK job when it comes to leading us CP horses to water when it comes to activities and networking opportunities. I’m a horse that likes drinking too, so for me, I’ve tried to take advantage of every opportunity presented to me.

Unfortunately, if the event doesn’t happen on a Wednesday or Thursday, I’m out of luck, because the first priority assigned to me as a CP is to work. Work I do, all day for five days a week. I’ve been able to squeeze a few CP Alumni speaker series events into the mix, and I went Busch Gardens Thursday, but generally, I see an event that interests me, I look at my schedule and go “Oh well, can’t do it, I work that day.”

Not this week! As aforementioned, I went on a the Bush Gardens CP housing event and experienced Cheetah Hunt (and it’s 90 minute queue), then the following day, I was lucky enough to go on a backstage tour of Expedition Everest. Backstage tours: this is why I did the College Program, people!

It was awesome. Totally worth waking up at 5:30 in the AM after a day of Busch Gardens excitement, and before a 5:15 PM-3:15 AM shift.

A small group of us was vanned over to Animal Kingdom, and we drove around the massive outer circumference of the Walt Disney World Resort’s largest theme park, square footage wise. It smelled terrible, like there was a bunch of animals back there or something...

We then parked behind the Everest peak, and were taken to meet our tour guides in front of the ride. They introduced themselves, and then started the tour. We first walked into the mountain range, and it was spectacular. Well, to me at least. To anyone else, it was a bunch of steel beams, cement blocks, and a cement slab floor. I was fascinated by the intertwining steel tubes and bars, holding up the mountain range itself, the coaster’s track, and the walkways around the track. The three never touch, and are all separate structures. They informed us the mountain was built around the track. Then there was a fourth structure: one specifically to hold up the massive Yeti.

The ghastly Himalayan primate was the next stop on our tour, and seeing the beast up close with the lights on was worth the price of admission (the price was $0.00, not to demean to tour, just to be funny). The thing was massive, its face horrifying, even in a well lit environment. They explained to us how the fur weighs a ton, is made of up actual animal fur, and can be completely removed to expose the audioanimatronic skeleton. We also learned that the attraction itself cost $90 million, and the Yeti alone was $20 million. And it hasn’t been fully operational since 2009. The sweeping motion it executed every time a train went by was too much for its foundation, causing so much force it was tearing its roots out of the ground. To fix the beast, they would have to shut down the attraction. To shut down to attraction would mean a loss of five to eight thousand guests in the park a day, and they do not want that. A complete ride rehab is rumored to be happening next year, but as of now, it’s just a rumor.

We then left the good old Yeti behind to walk to 14 flights of stairs to the ride-switch, where the train stops and then proceeds to go backwards. This provided a beautiful vista of all three of the parks, as Expedition Everest is the tallest structure at the Walt Disney World resort, just a wee bit taller than the Tower of Terror, and just a wee bit shorter than what would lawfully require it to have a blinking light at the top to warn planes, and ruin the show.

The detail of the surrounding area of the ride switch, with Yeti foot prints, the broken track, and the prayer flags was a sight to see up close.

After all this, we walked over to the lift, which was an even more fantastic sight. Not only was there a great view of the other Disney World resorts, theme parks and surrounding area, the entire Animal Kingdom park was right there, under my stuffy nose (I think Busch Gardens got me sick). I’ve always enjoyed looking around when I rode the train up the lift as a guest, but getting to stand up there and take it all in: it was one of the greatest and most unique experiences I may ever have.

Everything that happened after that was much more informative, much less breathtaking, and not really worth mentioning. They showed us the hidden Mickey’s in the queue, talked about all the inside jokes and references in Asia and in the queue, and gave us a ton of other insider information that I’m sure i’ll bore whoever’s in line with me the next time I partake in Expedition Everest. I’ll spare you, no worries. Especially since you’ve read 900 words deep into this post. Good job.

Star Tours: My Adventure Continues

My adventure continued unexpectedly the other day. After checking my wait times app, I noticed that for Hollywood Studios, Star Tours was registering a time. I asked around at Epcot, and as seemed to be the rule of the week-long vacation I took (to go to the place I work), I got a lousy answer that left me back at where I started. The only way to find out if the ride was indeed open would have to be to check it myself.

Your Starspeeder awaits

So, me and my girlfriend who was visiting headed over to Hollywood Studios from Epcot. (To emphasize how slow those friendship boats are, we missed the one leaving from Epcot, so we went to the bathroom, then walked to the Swan and Dolphin and caught the same boat. But that’s besides the point) We walked into Hollywood Studios, walked over to the area where Star Tours is, and were greeted with a glowing red wait time sign reading “45 minutes.” Hoorah! The new attraction was having its soft opening!

So we got in the queue, and waited. It was boring until we got inside, and were greeted by the new queue. It looked pretty much the same as the old one (at least Disneyland’s old one, I don’t know what the old Hollywood Studios queue looked like), except much shinier, and with that new carpet smell.

Looks are about where the similarities started and ended. The new screen advertising the different destinations Star Tours offered, as well as flight statues, was crisp and gorgeous, advertising all the new destinations available that the adventure is being continued.

IN the second part of the queue, I noticed Rex, the old Star Tours pilot droid voiced by Paul Reubens, sitting in a box labeled “defective,” waiting to be shipped back to the manufacturer. It was one of those touches that makes Disney stand out above the rest.

Move up the queue, and there were silouhettes of different inhabitants of the Star Wars universe walking by, boarding their Starspeeders. Before that, there’s a hilarious little robot performing baggage checks, who talks to the queue about himself, his desires, and the contents of the baggage he’s inspecting. In front of him sits a screen, showing those in the queue the contents of the bags, which includes things like Indiana Jone’s hate, the Incredible’s suits, and many other Disney references, making it wholly entertaining. After that, there’s a droid taking infared shots of people in the queue, adding a slightly interavtive element, like the green-screen at the end of Magic Kingdom’s “Space Mountain.”

Then there’s the actual attraction. Before boarding, a video is show of what’s going on outside your star Starspeeder as it gets ready to take off. Some droids provide a bit of slapstick humor as they try to clean the Starspeeder. Then, C-3PO goes in to fix some problems with something that has to do with binary, replacing the pilot in the pilots seat, and becomes stuck in the cabin. This is when you’re greeted by Aly, voiced by Allison Janney, who tells you the business (don’t take pictures, smoke, yada yada.) You then board your Star Speeder and the Adventure begins.

C-3PO greets you in the queue

First off, there are two options, you either get stopped by Storm Troopers or Darth Vader, both of whom are looking for a Rebel Spy who happens to be on your star speeder. This rebel spy could be you, as a picture is taken of someone in the Starspeeder and used in the ride. This got a good laugh the five times I went on the ride, and is a great way to make each tour through the universe seem unique and personal. Then you take off to a Tatooine, Hoth, Kashyyyk, the Death Star, Naboo or Corsucant leave the planet, get a transmission of either Princess Leia, Yoda or Admiral Ackbar, then take off to one of the aforementioned planets that you haven’t visited yet. The order is always interception, planet, transmission, planet, but different combinations are possible, making there 50-something possibilities, all of which you can log on your Star Tours passport at startourspassport.com on your mobile. Take advantage of that. It’s cool, at least to me, but I like to keep everything recorded.

Congratulations! You’ve made it this far. You must really be interested in Star Tours. My thoughts on the ride are: it’s a gigantic improvement on the last Star Tours, which was great for its time, but desperately needed an upgrade. It got one worthy of the Star Wars and Star Tours names. There was a family that rode behind us our second ride, and it was there first time. They went into the ride apprehensive, sighting the aged style of the original, and they came out of it ecstatic. I was also ecstatic that second time because it was completely different than the first. The third-through-fifth times repeated certain aspects, but were never exactly the same. Though I never got a transmission from Yoda, which I was disappointed about.

By the fourth time I went on the attraction in a row, I was also pretty darn nauseous, as was my girlfriend. The combination of 3D and motion simulation gave my head quite a spin. So watch out for that. The new attraction was amaing though, especially since the wait got down to nothing by the end of the night, and I got to go on it before it’s official opening. In the future, I know the ride will be one that’s fun to repeat during a week or so long vacation. Going on it four times in a row, the repeats got a little tired, but over a couple of days, the ride will no doubt stay engaging. It’ll be a great addition to the ride-barren Hollywood Studios, and be just another cherry on top for Disneyland when it opens there in June.