Disney Related Review: The AMC Dine-In Theaters

Today I shall talk about something only slightly related to Disney: The AMC Dine-In Theaters located in the Downtown Disney District at Walt Disney World in Orlando, Florida, United States, Planet Earth, Milky Way Galaxy (just to clear up any confusion).

What welcomes you

I came upon this experience in a most unconventional way: I was forced into it. I wanted to see the 6:30 Kung Fu Panda (yes, a Dreamworks film, sacrilege, I know), and it turns out that the 6:30 was in the Dine-In Theater. I was not going to change the time, so I bit the bullet and paid the extra $2 for the Dine-In experience, and then the extra $2 for the 3D experience, and then the extra money for the food and tip. So because of my stubbornness, I spent an extra $15ish more than I wanted to. But I got a blog post out of it, so, priceless? For you, at least.

After walking from the normal ticket booth to the entrance of the Dine-In Theaters at the other end of the 24-screen theater, I hurried in, got my ticket torn, received a weird look from the ticket taker (it wasn’t because my fly was down: I’d pulled it up at that point), walked in, sat in my assigned seat, and took in my setting.

The seats were much larger than your typical theater recliner, accompanied by a small, bar-esque table in front of you that is just far enough away from your seat to make eating a dish a comfortable activity, all of it lit with some classic movie theater rope-light .

After sitting for about 10 minutes, I pressed my waiter button (which all restaurants should have. I’m a guy who needs around 8 refills a meal, and I’m too passive to just ask, so a “waiter, come hither!” button would be perfect for me), and eventually the waiter came hither, sat next to me in the empty seat, and took my small order of a popcorn and a Diet Coke.

A couple minutes later, he delivered, and I started eating at an extremely rapid pace so I could take advantage of having the waiter refill my popcorn. I didn’t need to try to inhale my drink because that’s a natural thing for me (technically so is eating a lot, but an entire large popcorn, that took some Kung Fu Panda-like concentration.)

My "meal" a Diet and popcorn

Overall, the waiters walking through the theater, taking and delivering orders, was not as distracting as it could be. Neither was the brighter-than-usual area lighting, and the air must have been circulated in the theater better than the non-dine in theaters, because unlike when the person behind me orders a hot dog with everything, and the person in front of me orders nachos con jalapeño, thus making the theater stink like a flamingo corral, the other-people’s-food-always-smells-like-a-garbage-can problem was not a factor.

What was a problem was going through the menu, getting an order, getting a bill, paying it and the distraction all of that caused. I’m a guy who likes to be completely immersed in a film at the theaters, and generally am. That’s why I’m willing to drop so much dough at the box office every month. The things that should have been the obvious distractions were no problem, but the Dine-In experience still has its flaws. If you’re serious about your movies, then skip it.  Dining in at a movie is a novelty, and like all novelties that have to do with the film going experience (3D, Drive Ins, Sing-alongs), it’s more distracting than anything. If you want to see a movie, than do that and only that.

Going Behind the Scenes at Expedition Everest

While here on the College Program, many opportunities have been presented to me. The Spring formal, trips to Tampa Bay Rays games, speaker session with Meg Crofton, networking opportunities. They do a pretty OK job when it comes to leading us CP horses to water when it comes to activities and networking opportunities. I’m a horse that likes drinking too, so for me, I’ve tried to take advantage of every opportunity presented to me.

Unfortunately, if the event doesn’t happen on a Wednesday or Thursday, I’m out of luck, because the first priority assigned to me as a CP is to work. Work I do, all day for five days a week. I’ve been able to squeeze a few CP Alumni speaker series events into the mix, and I went Busch Gardens Thursday, but generally, I see an event that interests me, I look at my schedule and go “Oh well, can’t do it, I work that day.”

Not this week! As aforementioned, I went on a the Bush Gardens CP housing event and experienced Cheetah Hunt (and it’s 90 minute queue), then the following day, I was lucky enough to go on a backstage tour of Expedition Everest. Backstage tours: this is why I did the College Program, people!

It was awesome. Totally worth waking up at 5:30 in the AM after a day of Busch Gardens excitement, and before a 5:15 PM-3:15 AM shift.

A small group of us was vanned over to Animal Kingdom, and we drove around the massive outer circumference of the Walt Disney World Resort’s largest theme park, square footage wise. It smelled terrible, like there was a bunch of animals back there or something...

We then parked behind the Everest peak, and were taken to meet our tour guides in front of the ride. They introduced themselves, and then started the tour. We first walked into the mountain range, and it was spectacular. Well, to me at least. To anyone else, it was a bunch of steel beams, cement blocks, and a cement slab floor. I was fascinated by the intertwining steel tubes and bars, holding up the mountain range itself, the coaster’s track, and the walkways around the track. The three never touch, and are all separate structures. They informed us the mountain was built around the track. Then there was a fourth structure: one specifically to hold up the massive Yeti.

The ghastly Himalayan primate was the next stop on our tour, and seeing the beast up close with the lights on was worth the price of admission (the price was $0.00, not to demean to tour, just to be funny). The thing was massive, its face horrifying, even in a well lit environment. They explained to us how the fur weighs a ton, is made of up actual animal fur, and can be completely removed to expose the audioanimatronic skeleton. We also learned that the attraction itself cost $90 million, and the Yeti alone was $20 million. And it hasn’t been fully operational since 2009. The sweeping motion it executed every time a train went by was too much for its foundation, causing so much force it was tearing its roots out of the ground. To fix the beast, they would have to shut down the attraction. To shut down to attraction would mean a loss of five to eight thousand guests in the park a day, and they do not want that. A complete ride rehab is rumored to be happening next year, but as of now, it’s just a rumor.

We then left the good old Yeti behind to walk to 14 flights of stairs to the ride-switch, where the train stops and then proceeds to go backwards. This provided a beautiful vista of all three of the parks, as Expedition Everest is the tallest structure at the Walt Disney World resort, just a wee bit taller than the Tower of Terror, and just a wee bit shorter than what would lawfully require it to have a blinking light at the top to warn planes, and ruin the show.

The detail of the surrounding area of the ride switch, with Yeti foot prints, the broken track, and the prayer flags was a sight to see up close.

After all this, we walked over to the lift, which was an even more fantastic sight. Not only was there a great view of the other Disney World resorts, theme parks and surrounding area, the entire Animal Kingdom park was right there, under my stuffy nose (I think Busch Gardens got me sick). I’ve always enjoyed looking around when I rode the train up the lift as a guest, but getting to stand up there and take it all in: it was one of the greatest and most unique experiences I may ever have.

Everything that happened after that was much more informative, much less breathtaking, and not really worth mentioning. They showed us the hidden Mickey’s in the queue, talked about all the inside jokes and references in Asia and in the queue, and gave us a ton of other insider information that I’m sure i’ll bore whoever’s in line with me the next time I partake in Expedition Everest. I’ll spare you, no worries. Especially since you’ve read 900 words deep into this post. Good job.

Star Tours: My Adventure Continues

My adventure continued unexpectedly the other day. After checking my wait times app, I noticed that for Hollywood Studios, Star Tours was registering a time. I asked around at Epcot, and as seemed to be the rule of the week-long vacation I took (to go to the place I work), I got a lousy answer that left me back at where I started. The only way to find out if the ride was indeed open would have to be to check it myself.

Your Starspeeder awaits

So, me and my girlfriend who was visiting headed over to Hollywood Studios from Epcot. (To emphasize how slow those friendship boats are, we missed the one leaving from Epcot, so we went to the bathroom, then walked to the Swan and Dolphin and caught the same boat. But that’s besides the point) We walked into Hollywood Studios, walked over to the area where Star Tours is, and were greeted with a glowing red wait time sign reading “45 minutes.” Hoorah! The new attraction was having its soft opening!

So we got in the queue, and waited. It was boring until we got inside, and were greeted by the new queue. It looked pretty much the same as the old one (at least Disneyland’s old one, I don’t know what the old Hollywood Studios queue looked like), except much shinier, and with that new carpet smell.

Looks are about where the similarities started and ended. The new screen advertising the different destinations Star Tours offered, as well as flight statues, was crisp and gorgeous, advertising all the new destinations available that the adventure is being continued.

IN the second part of the queue, I noticed Rex, the old Star Tours pilot droid voiced by Paul Reubens, sitting in a box labeled “defective,” waiting to be shipped back to the manufacturer. It was one of those touches that makes Disney stand out above the rest.

Move up the queue, and there were silouhettes of different inhabitants of the Star Wars universe walking by, boarding their Starspeeders. Before that, there’s a hilarious little robot performing baggage checks, who talks to the queue about himself, his desires, and the contents of the baggage he’s inspecting. In front of him sits a screen, showing those in the queue the contents of the bags, which includes things like Indiana Jone’s hate, the Incredible’s suits, and many other Disney references, making it wholly entertaining. After that, there’s a droid taking infared shots of people in the queue, adding a slightly interavtive element, like the green-screen at the end of Magic Kingdom’s “Space Mountain.”

Then there’s the actual attraction. Before boarding, a video is show of what’s going on outside your star Starspeeder as it gets ready to take off. Some droids provide a bit of slapstick humor as they try to clean the Starspeeder. Then, C-3PO goes in to fix some problems with something that has to do with binary, replacing the pilot in the pilots seat, and becomes stuck in the cabin. This is when you’re greeted by Aly, voiced by Allison Janney, who tells you the business (don’t take pictures, smoke, yada yada.) You then board your Star Speeder and the Adventure begins.

C-3PO greets you in the queue

First off, there are two options, you either get stopped by Storm Troopers or Darth Vader, both of whom are looking for a Rebel Spy who happens to be on your star speeder. This rebel spy could be you, as a picture is taken of someone in the Starspeeder and used in the ride. This got a good laugh the five times I went on the ride, and is a great way to make each tour through the universe seem unique and personal. Then you take off to a Tatooine, Hoth, Kashyyyk, the Death Star, Naboo or Corsucant leave the planet, get a transmission of either Princess Leia, Yoda or Admiral Ackbar, then take off to one of the aforementioned planets that you haven’t visited yet. The order is always interception, planet, transmission, planet, but different combinations are possible, making there 50-something possibilities, all of which you can log on your Star Tours passport at startourspassport.com on your mobile. Take advantage of that. It’s cool, at least to me, but I like to keep everything recorded.

Congratulations! You’ve made it this far. You must really be interested in Star Tours. My thoughts on the ride are: it’s a gigantic improvement on the last Star Tours, which was great for its time, but desperately needed an upgrade. It got one worthy of the Star Wars and Star Tours names. There was a family that rode behind us our second ride, and it was there first time. They went into the ride apprehensive, sighting the aged style of the original, and they came out of it ecstatic. I was also ecstatic that second time because it was completely different than the first. The third-through-fifth times repeated certain aspects, but were never exactly the same. Though I never got a transmission from Yoda, which I was disappointed about.

By the fourth time I went on the attraction in a row, I was also pretty darn nauseous, as was my girlfriend. The combination of 3D and motion simulation gave my head quite a spin. So watch out for that. The new attraction was amaing though, especially since the wait got down to nothing by the end of the night, and I got to go on it before it’s official opening. In the future, I know the ride will be one that’s fun to repeat during a week or so long vacation. Going on it four times in a row, the repeats got a little tired, but over a couple of days, the ride will no doubt stay engaging. It’ll be a great addition to the ride-barren Hollywood Studios, and be just another cherry on top for Disneyland when it opens there in June.  

Which Attraction Is Better Where? Fantasyland Edition, Part II

Here goes part two, people. I’m just going to jump right into it:

Walt Disney World's Version of Peter Pan's Flight

Dumbo the Flying Elephant: It's the same same ride at both places. Not uncommon. They’re differences between to two, though. Much like “Snow White’s Scary Adventure,” the Walt Disney World version will cease to exist when the new Fantasyland opens, at least in its current form. A new Dumbo, with two different sections of flying elephants, doubling the capacity, and a first-of-its-kind deli-ticket style line will open as part of the new Fantasyland. As it stands, the Disneyland version has superior theming, with the ride doubling as a water feature, taking off over a fountain of sorts, while the Disney World version takes off over a drab, cement slab.

Disneyland's Version of Peter Pan's flight. It's prettier

Peter Pan’s Flight: It’s a little repetitive, but the attractions are almost identical. The biggest difference is that the Walt Disney World version has a Fastpass option, which is both a good and bad thing. It’s a good thing if you have the a Fastpass, and bad thing if you decide to wait in stand-by. The Fastpass options can make the stand-by queue up to an hour longer, as a friend of mine who works the attraction has reported. So in terms of equality, the Disneyland version bests its Florida counterpart. Also, the theming of Disneyland’s Fantasyland is much more detailed and much less circus-like, so the Disneyland version has a more attractive facade.

it’s a small world: To the untrained eye, these two attractions can seem very similar on the inside as well. Anyone that can see can tell that Disneyland’s version has the superior facade, so large and triumphant that “The Magic, The Memories and You!” are projected onto it. Also, the cukoo-clock aspect of the whole shindig is great, and during Christmas, the projection show that takes place on it is fantastic. Then you go inside, and you’ll notice that Disneyland’s version is much more throughly themed, with less visible wires, better hidden ceilings, and what seems to be a more routine maintenance schedule. For some reason, the World version just seems cheap compared to its the original attraction in California.

Disneyland also has the Storybook Cruises, Casey Jr., Mr Toad’s Wild Ride and the Matterhorn, which at the moment makes it a far superior land. We’ll see how it compares to the new Fantasyland expansion in Walt Disney World, which will ad a re-themed Goofy’s Barn Stormer, a Beauty and the Beast themed restaurant, Ariel’s Undersea Adventure dark ride, Gaston’s Pub, and the aforementioned larger Dumbo and Seven Dwarves Mine Train. My sentiments are it’ll make it almost, but not exactly up to par with the original in California.

Which Attraction Is Better Where? Fantasyland Edition, Part I

Now that I’ve examined Tomorrowland, I figured I’d discuss its adjacent land: Fantasyland.

It may seem that the two Fantasylands are similar, but that’s not the case. It’s my opinion that the duplicate lands at Disneyland and Walt Disney World are more different than any other twin lands. This will be even more apparent when the new Magic Kingdom's Fantasyland Expansion opens in 2012, and the Florida version will almost stand a chance against it’s Anaheim counterpart.

I’ll start from East to West, which means:

Disneyland's Mad Tea Party 

The Mad Tea Party: The attractions themselves are similar. There are few ways you can vary on the concept of spinning tea cups. Where the rides differ, as with most other things in Disneyland and Walt Disney World, is the theming. And as is common, it’s weaker theming in the World. Over in Disneyland, the Mad Tea Party has it’s own little Alice in Wonderland area, with it’s sister dark ride sitting next to it. It also sits uncovered, with sightly vines and lanterns that hang overhead to form a canopy. At the World, the old bricks and Alice topiaries are a nice touch, but as it's under an unattractive old roof (which I know is necessary due to Florida weather) takes away the appeal. Also, the sort of island it creates makes it feel it’s obligated to be at Walt Disney World because of its popular counterpart at Disneyland, not because they had a place that it fit right into.

Walt Disney World's Mad Tea Party

The Many Adventures of Winnie the Pooh: The attractions themselves are almost identical, although in different areas of the parks, Disneyland’s in Critter Country and Walt Disney World’s in Fantasyland. What separates these two dark rides is the queue. At Disneyland, it’s just a queue, and one that is rarely full, while in Florida, it’s a new, revamped interactive queue, complete with Winnie the Pooh’s house (or Mr. Sanderz), touch-screen honey ooze, playground, and a number of other fun, interactive elements. It even has a Fastpass... on the opposite side of Fantasyland. It needs it, as the line often reaches 40 minutes to an hour, which could in part be because of the Fastpass.

Snow White’s Scary Adventure: These two dark rides also share very little variation, for now at least. Once the new Fantasyland expansion happens at The Magic Kingdom, they will share one huge difference: one will exist and the other will be but a memory, replaced with a hall to visit the princesses. In its place will be the thrilling Seven Dwarves Mine Train, a new age roller coaster experience. But it will still hurt; a classic attraction axed so a litter of princesses can be meet and greet with a specific audience, one much less general than the audience the classic dark ride appeals to. So I guess that makes the one at Disneyland the superior of the two, since it will exist next year.

Part II, with the rest of the Fantasyland attractions compared and contrasted, is coming soon! I didn't want to shock everyone out of reading the article with it's 1000+ word count, so I split it up. Yay!

Which Attraction Is Better Where? Tomorrowland Edition

Walt Disney World would not be here if it were not for the “Happiest Place on Earth,” Disneyland. The two parks share many attractions, amongst other things.

Disneyland's Tomorrowland Hub Signage

Often, when attractions are on both coasts, there are slight differences, and those variations are usually big enough to make a certain attraction better than another. Sometimes, the attractions are almost identical, which is, to me, ideal. Being on a ride on one side of the country and knowing for certain that the grass is greener on the other side can make the experience that much less exciting.

So I’ve decided to make a list of sorts, naming of the attractions that exist at both resorts, citing which ones are better, worse, or the same.

Today, I’ll go through Tomorrowland. In the future I’ll do an entry on the other duplicate attractions, not specificaly in any order. Tomorrowland just has the most cross overs.

Walt Disney World's Tomorrowland Hub Signage

Space Mountain: Disneyland is by far the better mountain of the two. With it’s refurbishment taking much longer and having been much more extensive, the California version of this attraction is smoother, darker, and all around more fun. The new sound system installed on its Florida counterpart is a sad attempt at an “improvement,” and with the Disneyland version having speakers inside the “rockets,” Magic Kingdom’s Space Mountain just seems cheap.

Buzz Lightyear’s Space Ranger Spin/Astro Blasters: The scenes and almost everything else are the same at both parks, except one small difference: the guns and how they are mounted. In Disneyland, they are attached to a long cord, while at the Magic Kingdom they are mounted onto the ride vehicle. For me, this difference means I can get a much higher score in California because there is more freedom of motion, so for that the decision goes to Disneyland as the superior version.

Autopia/Tomorrowland Speedway: Tomorrowland Speedway seems like a copout. It’s just pavement and some speakers that make it sound like you’re on a raceway. There’s nothing to look at except the other drivers who you’re racing at a whopping five-miles-an-hour. The theming is nonexistent. So, again, the Disneyland version is better. It’s got more foliage and just a more exciting track in general. They both need some sort of update, though.

Astro Orbiter: This one goes to Disney World. Disneyland’s is on the ground, at the front of Tomorrowland, whereas Disney World’s is on elevated above the platform to board the People Mover in the center of Tomorrowland, providing a great view of Cinderella’s castle, the Contemporary resort, and the rest of Tomorrowland. How many version of Dumbo do we need? (three, apparently).

The People Mover: This one os more of a rhetorical question. Obviously, Disney World’s version is better, because it still exists, and for that I am grateful. Disneyland’s version of the ride went down years ago, and now the track just sits there, vacant.  Something needs to be done!

Port Orleans: It's Huge

I've been down here in Orlando, living the Walt Disney World life for a couple of months now. I've done just about everything I can do, with the exception of The American Idol Experience, because I'm a male and I'm not under the age of 15.

Oh. I also haven't gone to all the resorts at the Walt Disney World...Resort. There's a lot of them, and let's be honest for a second (all that other stuff I've written is a lie. This second, right here, this is going to be the truth second, so you better read what I intend you to read in the allotted time. Or your lollygagging will turn my truth into more lies. Lies!), making the choice between Rock N' Roller Coaster, even for the 42 time, or walking around a resort you'll never be able to afford to stay in, Rock 'N' Roller coaster seems like the clear winner.

It isn't always though. This time I went to Epcot first. Food! I got a bratwurst at Somerfest. Then I hopped on a bus and headed over to the Port Orleans resort, getting off at the first stop at the French Quarter, not knowing the marathon I was getting myself into. The place has like eight bus stops. Besides the Aligator Bayou, anything less would have been too small.

Some background: when I was a senior in high school, on spring break I did a service trip to Nawleans, touring the city and fixing up some houses. I apologize to the people's houses I wrecked with some cut rate dry-walling, and I thank the city of New Orleans for being so amazing. I fell in love with the wounded city, and I was looking forward to seeing how Disney captured its essence in resort form. It's already done a great job in land form with New Orleans square, which kicks Liberty Square in the pants, if you were wondering.

Welcome!

My first stop was the French Quarter. I enjoyed it immensely. It helps that Florida has the same, heavy weather that New Orleans and its swamps have, getting you in the right state of mind. They did a great job making the walkways feel like streets, and the buildings feel like crammed apartments. The water features were a sparkling touch. The pool, with its serpent, was a prime example of good theming, and the alligators surrounding it with their jazz instruments were a nice touch. Not as cool as the Polynesian's volcano, but it fit the resort well.

Then I took the pontoon over to Riverside, the grand daddy section of the resort. It had a magnificent lobby, retail store and quick service restaurant, with a mill theme. Then, like aforementioned, there was the Alligator Bayou. The flora and fauna were great, but the buildings were just buildings.

Later, I got to the sections themed after southern mansions, forgetting about all the sub-par stuff that preceded them. I've always loved southern mansions, with their grand stair cases, pillars, sprawling front yards, and weeping willows. Mostly this is due to my love of the film Forrest Gump. The pool was alright, not the best I've seen, but it also went well with the theme.

After the hike around the Port Orleans campus, I was a wee bit bummed that if I ever were to stay there, it would be a long while, and that it'd probably be just as long before I get to visit the Big Easy itself. But for now, the resort, and the square in Disneyland will have to do.

Animal Kingdom: The Best Themed Park of the Walt Disney World Resort

Walt Disney's Animal Kingdom is, in a way, the outcast of the four parks that make up the Walt Disney World Resort. It has the shortest hours, the least amount of attractions and is the newest of the four, thus giving it the most to prove. Being young, it's without that "legacy" the others can brag about.

But what it lacks in attractions, hours, and age, it makes up for in theming. The other three parks are okay when it comes to theming: Epcot with its World Showcase, Hollywood Studios with its Sunset Boulevard and the Magic Kingdom with just about ever land within its boundaries. But nothing can really compare to what imagineer Joe Rohde did with Walt Disney Worlds largest park, square-acreage-wise.

Being the newest park has its advantages, which is clearly seen in the detail of almost every square foot in the park. Walking up to the entrance gate, if you look down, you will notice the pattern of a tree. Walking through the gates and onto Discovery Island, you'll notice the hidden animal exhibits that hint to new guests at what they are about to experience. Then, once on Discovery Island, you'll notice the gigantic Tree of Life, which with its sheer size is impressive from a distance, but with its intricately detailed roots, is even more impressive from close up.

Go through the queues of Expedition Everest and Kali River Rapids in Asia, and you'll be wowed with the amazing features that surround you and set up the story you'll fully experience once on board the attraction.

Expedition Everest takes you through what feels like a classic Nepalise courtyard, then takes you through what  a small, home made-feeling museum dedicated to the Yeti you're about to encounter. With its sculptures, displays, artifacts and interactive features such as the bells that can be heard ringing throughout the queue, the whole experience perfectly frames the main feature of the roller coaster and almost outshines the brief ride you're about to experience.

Almost the same thing can be said about Kali River Rapids. The queue is amazing, with its different areas setting up the whole story behind the ride. With it's fallen, Asian themed statues at the forefront of the queue, accompanied by the sound of chainsaws roaring in the distance, the clash of history and destruction theme is set up. Then you walk through its gorgeously themed queue, with a big statue of an cat greeting you, looking to be thousands of years old. There are the Bollywood posters, the old plates, the colorful chandeliers, the cobra fountain and the carpeted ceilings.

The amazing theming of the Tree of Life

Walk around Asia and you'll see the roads, marked with bicycle tracks, the boats packed, ready to sail down the river to trade. The Quick Service food stations meant to look like authentic huts or mobile vendor and are splendid.

Head over to Africa and all the shops and restaurants are housed in what looks to be an authentic African village. And unlike Frontierland and Adventureland in the Magic Kingdom, that's all you can see. There's nothing to distract from the story the imagnineers created for you.

And of course there's the Tree of Life. With it's hundreds of animals cleverly carved into the roots and trunk of the enormous tree, it epitomizes amazing theming.

With all this, one of the aforementioned faults of Disney's Animal Kingdom is really one of its strengths: its young age. It was built in a more modern age, with more resources available, and thus it feels like a newer, better, more shiny thing.

Next time, when you're walking around Dinoland, Africa, Asia or Discovery island, take a couple of minutes to observe the excellent theming of Walt Disney's World's youngest parks, and appreciate the most well themed, and possibly most "Disney" of the parks at Disney World.

Mickey and His Magical New Space

"Where's that place with Mickey and Minnie's houses where you can meet them and stuff?"

That's a question I frequently get, still, even though the Magic Kingdom's Toontown shut down mid-February. It's always a great opportunity to make some type of economy-related joke about Mickey losing his house, though a huge void has been left ever since: an official place to meet Mickey. It gave Mr. Mouse a great opportunity to dust off some outfits in his wardrobe, such as his colonial garb for his meet and greets in the Hall of President's lobby, and his farm-attire when he was near Splash Mountain. 

When you experience an event as monumental as meeting "The Mouse that Started It All,"having it happen behind Space Mountain, or under Splash  just lacks that extra special feeling. The location has a lot to do with it, it's kind of like realty, except less boring. 

No longer is Mickey a transient mouse, as his new meet-and-greet spot officially opened in exposition hall on April 1. Many new features are included in Mickey's new space, such as interactive art and the first ever Fastpass option for meeting a character. My frequent observation has shown that the Princesses always have a longer line than Mickey, which I find a little odd as meeting them is not as essential to a trip to Disney World. I guess that justifies, only a little bit, why it was decided to tear out a classic attraction in "Snow White's Scary Adventure" to make room for essentially a room to meet the princesses. 

We're a very cute trio

When I went to go visit Mickey in his new space, the stand-by wait time was posted as only being 10  minutes, so I waited, checking out the interactive art and queue overall being pretty underwhelmed with the whole queue experience. Mostly, with the queue, there was just a ton of red-velvet rope, and a couple pictures here and there. If there was an actual wait, it would have been a pretty boring time. And a closer examination of the interactive art revealed that some of the components of the image were pixelated. Pixelation is one of my biggest pet-peeves, it's almost the epitome of lack of attention to detail.  

Once inside Magician Mickey's dressing room, I also felt like it was lacking something. Maybe it was just too small, but I'll get off the negative train at this station. 

I did greatly enjoy all the innuendo's and references to Disney classic that occupied the space in Magician Mickey's dressing room. From the punny titles of the books laying around, to Madame Leota's crystal ball sitting on the shelf, glowing and making noise, to the notes posted on the bulletin board, a high level of attention to detail was paid on the whole room. A lot of it was what I feel is essential "Disney," a mixture of clever wit and magic. 

Boo! The new Haunted Mansion Queue

I've talked about my admiration of the classic Haunted Mansion attraction before, how I love it's mixture of campy fun, great storytelling and Disney magic.

Generally, when I talk about how I love just about anything Disney Parks, I'm talking about the Disneyland version. Well, lucky for me, Liberty Square's Haunted Mansion was built at just about the same time as New Orleans Square's, and the attractions are virtually the same. I may go as far as to say the World's version is slightly better, with it's haunted stair case scene. Now that it has the new hitchhiking ghosts and interactive queue, it's almost definitely the superior of the two manors.



Yesterday, I finally had some time off from my job at the Magic Kingdom, so what did I do? I went back to the Magic Kingdom. They've been getting quite the array of new features, so it made the most sense to go back to the place I spend 40+ hours a week.

First off, I went to visit Magician Mickey. More on that later.

Then, I went over to Liberty Square to visit the Haunted Mansion. Along with half the park.

One of the criticisms of the new interactive queue is that there's hardly anyone ever in the queue for the Mansion, seeing as it has an omnimover system, thus resulting in an extremely high rider capacity. Not the day I went. The stand-by wait time was posted at 50 minutes, which I ignored, because as the future often proves, it was a little exaggerated.

The Captain

Once I got up to the new and exciting features I came to, I was surprised to find that it was an optional part of the line. You could either go through and experience the new features, or go straight into the foyer and then the stretching room. I obviously didn't do the former.

What I found in the interactive queue was great. The touch-and-play instruments, the misty organ, the bookcase and the interactive poetry were great. Also, Madam Leota's living tombstone was very creepy, and thus fantastic.

My only negatives words on the subject would be that it was really more of an area than a queue. It was nice seeing everything in one fell swoop, but it would have been nice to see it while I was actually waiting in line, like "Space Mountain's: and "Soarin's" games. There was a tone of boring, chain-linked queue as a predecessor to the interactive part that could have been livened up.

Then, there was the other part of the Haunted Mansion that I came for, at the exact opposite end of the attraction: the new hitchhiking ghosts. I'll get to the point: they're amazing. I've always pantomimed petting or elbowing the previous, static hitchhiking ghosts, and now they do the same (kind of) thing to me! I went on a tour of the mansion twice, and I was a little annoyed that both times I got the bearded ghost, who both times put his beard on my face. The other ghosts seem to switch the heads of the guests it sits in between, and I don't know what the third one did. But it was cool, whatever it did.

People were raving about both the queue and the new hitchhiking ghosts, both seeming to be a huge hit. I though the imagineers did a great job enhancing a classic without changing it too much and respecting its legacy.

Have you been in the new queue or been in the company of a new hitchhiking ghost? How was your experience?